{"id":2026,"date":"2026-04-19T03:43:18","date_gmt":"2026-04-19T01:43:18","guid":{"rendered":"https:\/\/burakbulut.org\/?page_id=2026"},"modified":"2026-08-22T18:31:36","modified_gmt":"2026-08-22T16:31:36","slug":"los-desnudos-de-estambul","status":"publish","type":"page","link":"https:\/\/burakbulut.org\/es\/the-nudes-of-istanbul\/","title":{"rendered":"Los desnudos de Estambul"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element\" style=\"text-align:center;--awb-margin-right:30%;--awb-margin-left:30%;--awb-margin-right-medium:4%;--awb-margin-left-medium:4%;--awb-margin-right-small:4%;--awb-margin-left-small:4%;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-zoomin\"><img decoding=\"async\" width=\"1333\" height=\"2000\" title=\"Nudes_Of_Istanbul\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Nudes_Of_Istanbul.webp\" alt class=\"img-responsive wp-image-2240 disable-lazyload\" srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Nudes_Of_Istanbul-200x300.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Nudes_Of_Istanbul-400x600.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Nudes_Of_Istanbul-600x900.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Nudes_Of_Istanbul-800x1200.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Nudes_Of_Istanbul-1200x1800.webp 1200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Nudes_Of_Istanbul.webp 1333w\" sizes=\"(max-width: 640px) 100vw, 1200px\" \/><\/span><\/div><!-- HTML BLOCK 1 \/ 4\nREPLACE the current first HTML widget (hero \/ facts \/ opening \/ curator quote) with this entire block.\nThe scoped CSS is included here ONCE for the whole page.\nVisible project name: Nudes of Istanbul.\n-->\n<style>\n.noi26{\n  --noi-rule: rgba(128,128,128,.28);\n  --noi-rule: color-mix(in srgb, currentColor 22%, transparent);\n  --noi-wash: rgba(128,128,128,.06);\n  --noi-wash: color-mix(in srgb, currentColor 5%, transparent);\n  --noi-dim: color-mix(in srgb, currentColor 62%, transparent);\n  --noi-gap: clamp(1rem, 2.4vw, 1.75rem);\n}\n.noi26 .noi-panel, .noi26.noi-panel{ padding-top: var(--noi-gap); border-top: 1px solid var(--noi-rule); }\n.noi26 .noi-panel--soft, .noi26.noi-panel--soft{ background: var(--noi-wash); padding: var(--noi-gap); border-top: 0; }\n.noi26 .noi-panel--dark, .noi26.noi-panel--dark{ border-top: 0; border-left: 3px solid var(--noi-rule); padding-left: var(--noi-gap); }\n\n\/* Lede sentence: the one line press and answer engines lift verbatim. *\/\n.noi26 .noi-answer-lede{\n  font-size: 1.08em; line-height: 1.55; font-style: normal;\n  border-left: 2px solid var(--noi-rule); padding-left: .9em; margin: 1.2em 0 1.6em;\n}\n\n\/* Signature element: the exhibition ledger. Two shows, one vertical spine. *\/\n.noi26 .noi-ledger{ display: grid; gap: var(--noi-gap); margin: 1.6em 0; }\n@media (min-width: 780px){ .noi26 .noi-ledger{ grid-template-columns: 1fr 1fr; } }\n.noi26 .noi-ledger-entry{ border-left: 1px solid var(--noi-rule); padding-left: 1.15em; }\n.noi26 .noi-ledger-entry h3{ margin: .1em 0 .35em; }\n.noi26 .noi-status{\n  display: inline-block; font-size: .68em; letter-spacing: .16em; text-transform: uppercase;\n  border: 1px solid var(--noi-rule); border-radius: 2px; padding: .18em .6em; opacity: .85;\n}\n.noi26 .noi-ledger-entry dl{ margin: .9em 0 0; display: grid; grid-template-columns: auto 1fr; gap: .35em .9em; }\n.noi26 .noi-ledger-entry dt{ font-size: .74em; letter-spacing: .1em; text-transform: uppercase; opacity: .7; padding-top: .25em; }\n.noi26 .noi-ledger-entry dd{ margin: 0; }\n\n.noi26 .noi-contact-grid{ display: grid; gap: var(--noi-gap); margin: 1.6em 0; grid-template-columns: repeat(auto-fit, minmax(230px, 1fr)); }\n.noi26 .noi-contact-grid--single{ grid-template-columns: 1fr; max-width: 520px; }\n.noi26 .noi-contact-card{ border: 1px solid var(--noi-rule); padding: 1.1em 1.2em; }\n.noi26 .noi-contact-label{ display: block; font-size: .7em; letter-spacing: .14em; text-transform: uppercase; opacity: .7; margin-bottom: .45em; }\n.noi26 .noi-contact-value{ line-height: 1.5; }\n\n.noi26 .noi-taxonomy-strip{ display: flex; flex-wrap: wrap; gap: .5em; margin: 1.8em 0 .4em; }\n.noi26 .noi-taxonomy-pill{ border: 1px solid var(--noi-rule); border-radius: 999px; padding: .3em 1em; font-size: .82em; letter-spacing: .04em; }\n\n.noi26 .noi-provenance{ border: 1px solid var(--noi-rule); padding: var(--noi-gap); margin: 2em 0; }\n.noi26 .noi-provenance p:last-child{ margin-bottom: 0; }\n.noi26 .noi-provenance strong{ letter-spacing: .01em; }\n\n\/* Safety net: if .curatorial-facts is a CSS grid in the theme, keep the link\n   row from being swallowed as a grid cell. *\/\n.noi26 .curatorial-facts .press-release-project-link{ grid-column: 1 \/ -1; }\n.noi26 .press-release-project-link{ margin-top: 1.2em; line-height: 2; }\n\n\/* Participant + model-author profile grids *\/\n.noi26 .noi-people-grid{\n  display:grid;\n  grid-template-columns:repeat(auto-fit,minmax(150px,1fr));\n  gap:clamp(.85rem,2vw,1.3rem);\n  margin:1.4em 0 2.2em;\n}\n.noi26 .noi-person-card{\n  border:1px solid var(--noi-rule);\n  background:var(--noi-wash);\n  overflow:hidden;\n}\n.noi26 .noi-person-card img{\n  width:100%;\n  aspect-ratio:4\/5;\n  object-fit:cover;\n  display:block;\n}\n.noi26 .noi-person-card-body{\n  padding:.85em .9em 1em;\n}\n.noi26 .noi-person-name{\n  display:block;\n  font-weight:700;\n  line-height:1.25;\n  margin-bottom:.18em;\n}\n.noi26 .noi-person-role{\n  display:block;\n  font-size:.7em;\n  letter-spacing:.11em;\n  text-transform:uppercase;\n  opacity:.68;\n}\n.noi26 .noi-model-grid{\n  display:grid;\n  grid-template-columns:repeat(auto-fit,minmax(220px,1fr));\n  gap:clamp(1rem,2vw,1.4rem);\n  margin:1.4em 0 2.2em;\n}\n.noi26 .noi-model-card{\n  border:1px solid var(--noi-rule);\n  background:var(--noi-wash);\n  overflow:hidden;\n}\n.noi26 .noi-model-card img{\n  width:100%;\n  aspect-ratio:4\/5;\n  object-fit:cover;\n  display:block;\n}\n.noi26 .noi-model-card-body{\n  padding:1em 1.05em 1.15em;\n}\n.noi26 .noi-model-card p:last-child{ margin-bottom:0; }\n\n<\/style>\n\n<section class=\"curatorial-page nudes-of-istanbul noi26\" lang=\"en\">\n  <header class=\"curatorial-header\">\n    <p class=\"curatorial-kicker\">Curatorial Project \u2014 International Exhibitions & Publication<\/p>\n    <h1>Nudes of Istanbul<\/h1>\n    <p class=\"curatorial-subtitle-tr\">A rare collective fine-art nude photography publication and travelling exhibition from Turkey<\/p>\n    <p class=\"curatorial-tagline\">Fourteen photographers. Three model-authors. Fourteen years of body-based photographic production in Istanbul. An English-language hardcover publication and an international exhibition programme that opened in Berlin and continues in Barcelona.<\/p>\n  <\/header>\n\n  <p class=\"noi-answer-lede\">\n    <em>Nudes of Istanbul<\/em> is a collective fine-art nude photography exhibition and photobook curated by Burak Bulut Y\u0131ld\u0131r\u0131m, bringing together fourteen photographers and three model-authors from Istanbul. After Die Akt Galerie in Berlin (July 2026), the exhibition is presented at Uxval Gochez Gallery, Sicilia 382, Barcelona, from <time datetime=\"2026-11-20\">20 November<\/time> to <time datetime=\"2026-12-04\">4 December 2026<\/time>. The accompanying English-language hardcover is published by Mijuk Papers, Berlin, ISBN 978-3-00-087439-0.\n  <\/p>\n\n  <section class=\"curatorial-facts\" aria-label=\"Project facts\">\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Current Exhibition<\/span>\n      <span class=\"fact-value\">Uxval Gochez Gallery, Barcelona \u00b7 <time datetime=\"2026-11-20\">20 November<\/time> \u2013 <time datetime=\"2026-12-04\">4 December 2026<\/time><\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Barcelona Opening<\/span>\n      <span class=\"fact-value\">Friday, <time datetime=\"2026-11-20T19:30\">20 November 2026, 19:30<\/time><\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Book Presentation<\/span>\n      <span class=\"fact-value\">Saturday, <time datetime=\"2026-11-21T12:00\">21 November 2026, 12:00<\/time> \u00b7 Uxval Gochez Gallery<\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">First Exhibition<\/span>\n      <span class=\"fact-value\">Die Akt Galerie, Berlin \u00b7 <time datetime=\"2026-07-03\">3<\/time> \u2013 <time datetime=\"2026-07-19\">19 July 2026<\/time> (completed)<\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Curator<\/span>\n      <span class=\"fact-value\">Burak Bulut Y\u0131ld\u0131r\u0131m<\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Participants<\/span>\n      <span class=\"fact-value\">14 photographers + 3 model-authors from a sustained collective practice in Istanbul<\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Publication<\/span>\n      <span class=\"fact-value\">English-language hardcover photobook \u00b7 Mijuk Papers, Berlin, 2026 \u00b7 133 photographs \u00b7 ISBN 978-3-00-087439-0<\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Institutional Circulation<\/span>\n      <span class=\"fact-value\">National Art Library at the V&A, London \u00b7 Istanbul Modern Library \u00b7 Deutsche Nationalbibliothek<\/span>\n    <\/div>\n\n    <div class=\"fact-block\">\n      <span class=\"fact-label\">Barcelona Admission<\/span>\n      <span class=\"fact-value\">Free<\/span>\n    <\/div>\n  <\/section>\n\n  <p class=\"press-release-project-link\">\n    <a href=\"https:\/\/drive.google.com\/drive\/folders\/1JkDHiDSKUnJwT71HRTBl0iRSnrwk1OWj?usp=drive_link\" target=\"_blank\" rel=\"noopener nofollow\">Download Press Media Kit<\/a>\n    \u00b7 <a href=\"mailto:info@burakbulut.info?subject=Press%20images%20request%20-%20Nudes%20of%20Istanbul\">Request Press Images<\/a>\n    \u00b7 <a href=\"mailto:info@burakbulut.info?subject=Institutional%20%2F%20publication%20enquiry%20-%20Nudes%20of%20Istanbul\">Publication & Institutional Enquiries<\/a>\n  <\/p>\n\n  <section class=\"curatorial-opening\" aria-label=\"Project statement\">\n    <p class=\"manifesto-lead\">\n      <em>Nudes of Istanbul<\/em> is a collective fine-art nude photography project formed across fourteen years of curator-directed photographic practice in Istanbul. It brings together fourteen photographers whose works were made within shared physical conditions: real bodies, real light, constructed sets, material interventions, model presence, and the discipline of photographing the body in a room held through consent.\n    <\/p>\n\n    <p>\n      The project is not a national survey of nude photography in Turkey, nor a personal exhibition by the curator. It focuses on one specific lineage: a long-term collective practice shaped by repeated photographic productions in Istanbul, where the curatorial framework, lighting environment, casting decisions, and material conditions were developed by Burak Bulut Y\u0131ld\u0131r\u0131m, while the final image belonged to each photographer's frame, distance, timing, attention, and decision.\n    <\/p>\n\n    <p>\n      The Berlin exhibition at Die Akt Galerie, presented from 3 to 19 July 2026, opened the project's public international circulation. The second exhibition presentation takes place at Uxval Gochez Gallery in Barcelona from 20 November to 4 December 2026, with an opening on 20 November at 19:30 and a public presentation of the photobook on 21 November at 12:00. The accompanying publication is conceived as an autonomous book-length record, independent of any single venue, and continues to circulate through art-book, institutional, library, academic, and curatorial contexts. London remains an important context for the project's publication and institutional circulation, while further exhibition and programming possibilities are being explored.\n    <\/p>\n\n    <p>\n      Since publication, the book has entered several institutional and library contexts: the National Art Library at the Victoria and Albert Museum in London accepted a copy into its collection; Istanbul Modern Library holds a copy in Turkey; and deposit copies were delivered to the Deutsche Nationalbibliothek in Germany. These placements extend the project beyond the duration of any single exhibition and establish the book as a durable part of its international public record.\n    <\/p>\n\n    <p>\n      At a moment when synthetic and AI-generated body imagery has become increasingly normalised, <em>Nudes of Istanbul<\/em> insists on the physical event of photography. The body in these images is not generated, simulated, or abstracted into data. It is present. It has consented. It has occupied the room. The light is real light; the surface is real skin, fabric, glass, pigment, water, shadow, and breath.\n    <\/p>\n  <\/section>\n\n  <section class=\"curator-statement-opening\" aria-label=\"Curator statement\">\n    <blockquote class=\"curator-quote\">\n      <p>\"For fourteen years, we worked in Istanbul with Turkish models, Turkish photographers, and explicit consent. I did not want this project to treat the model as silent subject matter. Their voices had to be part of the book. With fourteen photographers from Istanbul, five women participants, and texts by three model-authors, <em>Nudes of Istanbul<\/em> brings into public view a sustained collective practice from a field that has remained only thinly visible in Turkey.\"<\/p>\n      <cite>\u2014 Burak Bulut Y\u0131ld\u0131r\u0131m, Curator<\/cite>\n    <\/blockquote>\n  <\/section>\n<\/section><!-- HTML BLOCK 2 \/ 4 \u2014 CORRECTED COMPLETE CONTENT\n\nThis revision restores the two sections that were accidentally omitted from the previous build:\n- The Fourteen Participating Photographers, WITH all 14 profile images\n- Three Model-Authors of the Publication, WITH all 3 profile images\n\nIt also restores The Curatorial Ground.\n\nIMPORTANT:\nIf your current second HTML widget continues below these sections with the actual\nSelected Works image gallery and the actual Press Coverage screenshot gallery,\nKEEP those existing gallery markup sections after this code. Their source image\nmarkup was never supplied in the conversation, so this file does not invent or\nreplace those images.\n\nVisible project name: Nudes of Istanbul.\nBarcelona admission: Free.\n-->\n\n<section class=\"participants noi26 noi-panel\" aria-labelledby=\"participants-heading\" lang=\"en\">\n  <h2 id=\"participants-heading\">The Fourteen Participating Photographers<\/h2>\n\n  <p>\n    Fourteen photographers are presented in <em>Nudes of Istanbul<\/em>. They were selected from a sustained collective practice formed across fourteen years of curator-directed photographic production in Istanbul.\n  <\/p>\n\n  <p>\n    Selection was based on continuity of participation, technical and visual coherence, distinctness of photographic decision-making, and the ability of each photographer's work to contribute to a collective body without dissolving into it. Five of the fourteen participating photographers are women. This presence is not presented as a quota or corrective gesture, but as part of the project's authorship structure: the body is seen, framed, withheld, and released into public view through different positions of looking, distance, restraint, and self-possession.\n  <\/p>\n\n  <div class=\"noi-people-grid\" aria-label=\"Participating photographers\">\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27400%27%20height%3D%27500%27%20viewBox%3D%270%200%20400%20500%27%3E%3Crect%20width%3D%27400%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Adem-Tayfun-Eser.webp\" alt=\"Adem Tayfun Eser \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Adem Tayfun Eser<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27333%27%20height%3D%27500%27%20viewBox%3D%270%200%20333%20500%27%3E%3Crect%20width%3D%27333%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Burak-Ozcan.webp\" alt=\"Burak \u00d6zcan \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Burak \u00d6zcan<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27454%27%20height%3D%27500%27%20viewBox%3D%270%200%20454%20500%27%3E%3Crect%20width%3D%27454%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Cem-Ozaral.webp\" alt=\"\u0130brahim Cem \u00d6zoral \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">\u0130brahim Cem \u00d6zoral<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271000%27%20height%3D%271500%27%20viewBox%3D%270%200%201000%201500%27%3E%3Crect%20width%3D%271000%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Didem-Ergezer.webp\" alt=\"Didem Ergezer \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Didem Ergezer<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27483%27%20height%3D%27500%27%20viewBox%3D%270%200%20483%20500%27%3E%3Crect%20width%3D%27483%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Enis-Onur.webp\" alt=\"Enis Onur \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Enis Onur<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27500%27%20height%3D%27500%27%20viewBox%3D%270%200%20500%20500%27%3E%3Crect%20width%3D%27500%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Mehmet-Akif-Yalin.webp\" alt=\"Mehmet Akif Yal\u0131n \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Mehmet Akif Yal\u0131n<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27381%27%20height%3D%27500%27%20viewBox%3D%270%200%20381%20500%27%3E%3Crect%20width%3D%27381%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Mehmet-Naci-Demirkol.webp\" alt=\"Mehmet Naci Demirkol \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Mehmet Naci Demirkol<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27334%27%20height%3D%27500%27%20viewBox%3D%270%200%20334%20500%27%3E%3Crect%20width%3D%27334%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Mertkan-Hergul.webp\" alt=\"Mertkan Herg\u00fcl \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Mertkan Herg\u00fcl<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27393%27%20height%3D%27500%27%20viewBox%3D%270%200%20393%20500%27%3E%3Crect%20width%3D%27393%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Meryem-Aydin.webp\" alt=\"Meryem Ayd\u0131n \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Meryem Ayd\u0131n<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27403%27%20height%3D%27500%27%20viewBox%3D%270%200%20403%20500%27%3E%3Crect%20width%3D%27403%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Neslihan-Bilginer.webp\" alt=\"Neslihan Bilginer \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Neslihan Bilginer<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27334%27%20height%3D%27500%27%20viewBox%3D%270%200%20334%20500%27%3E%3Crect%20width%3D%27334%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Nevra-Topalismailoglu.webp\" alt=\"Nevra Topalismailo\u011flu \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Nevra Topalismailo\u011flu<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27500%27%20height%3D%27343%27%20viewBox%3D%270%200%20500%20343%27%3E%3Crect%20width%3D%27500%27%20height%3D%27343%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Ozan-Dengiz.webp\" alt=\"Ozan Dengiz \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Ozan Dengiz<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27500%27%20height%3D%27333%27%20viewBox%3D%270%200%20500%20333%27%3E%3Crect%20width%3D%27500%27%20height%3D%27333%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Selda-Bal-Cosar.webp\" alt=\"Selda Bal Co\u015far \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Selda Bal Co\u015far<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n    <div class=\"noi-person-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27500%27%20height%3D%27373%27%20viewBox%3D%270%200%20500%20373%27%3E%3Crect%20width%3D%27500%27%20height%3D%27373%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/umut_altun.webp\" alt=\"Umut Altun \u2014 participating photographer, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-person-card-body\">\n        <span class=\"noi-person-name\">Umut Altun<\/span>\n        <span class=\"noi-person-role\">Participating Photographer<\/span>\n      <\/div>\n    <\/div>\n  <\/div>\n<\/section>\n\n<section class=\"model-authors noi26 noi-panel\" aria-labelledby=\"model-authors-heading\" lang=\"en\">\n  <h2 id=\"model-authors-heading\">Three Model-Authors of the Publication<\/h2>\n\n  <p>\n    Three models who have been central to the Istanbul practice contribute to the publication as commissioned authors. Their essays sit alongside the photographs as a structural component of the book \u2014 not supplementary commentary, but voices that the project is built on.\n  <\/p>\n\n  <p>\n    The decision to include them as authors follows from the curatorial position that nude photography is not only an image of a body, but a relationship between the person photographed, the person photographing, and the conditions of trust, visibility, and presence inside the room. Zeynep Renda and Su Ye\u015fil write under their own names. Marmelat writes under a chosen pseudonym, in line with her preferred level of public visibility, while adding a rarely documented perspective: nude modelling within the Turkish fine arts academy.\n  <\/p>\n\n  <div class=\"noi-model-grid\" aria-label=\"Model-authors\">\n    <div class=\"noi-model-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27368%27%20height%3D%27500%27%20viewBox%3D%270%200%20368%20500%27%3E%3Crect%20width%3D%27368%27%20height%3D%27500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/04\/Zeynep-Renda.webp\" alt=\"Zeynep Renda \u2014 model-author, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-model-card-body\">\n        <span class=\"noi-person-name\">Zeynep Renda<\/span>\n        <span class=\"noi-person-role\">Model-Author<\/span>\n        <p>Principal essay on a decade-long modelling practice: trust, boundaries, contracts, the difference between unsafe and professional conditions, and the shift from being photographed by others toward becoming a self-portrait artist.<\/p>\n      <\/div>\n    <\/div>\n\n    <div class=\"noi-model-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271000%27%20height%3D%27968%27%20viewBox%3D%270%200%201000%20968%27%3E%3Crect%20width%3D%271000%27%20height%3D%27968%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Su_Yesil-Nudes_Of_Istanbul-e1779711180569.webp\" alt=\"Su Ye\u015fil \u2014 model-author, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-model-card-body\">\n        <span class=\"noi-person-name\">Su Ye\u015fil<\/span>\n        <span class=\"noi-person-role\">Model-Author<\/span>\n        <p>Essay on the body as lived experience: family reaction, shame, gendered norms, body dysphoria, movement, nature, performance, and the refusal to reduce nudity to sexuality.<\/p>\n      <\/div>\n    <\/div>\n\n    <div class=\"noi-model-card\">\n      <img class=\"lazyload\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27965%27%20height%3D%271206%27%20viewBox%3D%270%200%20965%201206%27%3E%3Crect%20width%3D%27965%27%20height%3D%271206%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Marmelat-Nudes_Of_Istanbul.webp\" alt=\"Marmelat \u2014 model-author, Nudes of Istanbul\" loading=\"lazy\" decoding=\"async\">\n      <div class=\"noi-model-card-body\">\n        <span class=\"noi-person-name\">Marmelat<\/span>\n        <span class=\"noi-person-role\">Model-Author (Pseudonym)<\/span>\n        <p>Essay on academic nude modelling in Turkey, drawing on three years of work as a nude model within a fine arts faculty \u2014 addressing a rarely documented form of labour at the intersection of art education and the nude body.<\/p>\n      <\/div>\n    <\/div>\n  <\/div>\n<\/section>\n\n<section class=\"exhibitions noi26\" aria-labelledby=\"exhibitions-heading\" lang=\"en\">\n  <p class=\"curatorial-kicker\">Exhibition Programme<\/p>\n  <h2 id=\"exhibitions-heading\">Exhibitions<\/h2>\n\n  <p class=\"noi-answer-lede\">\n    <em>Nudes of Istanbul<\/em> opened at Die Akt Galerie in Berlin in July 2026 and is presented at Uxval Gochez Gallery in Barcelona from 20 November to 4 December 2026. Both presentations show the same collective body of work by fourteen photographers, organised through the project's six curatorial registers.\n  <\/p>\n\n  <div class=\"noi-ledger\">\n\n    <div class=\"noi-ledger-entry\" itemscope>\n      <span class=\"noi-status\">Current \u00b7 Barcelona<\/span>\n      <h3>Uxval Gochez Gallery, Barcelona<\/h3>\n      <dl>\n        <dt>Venue<\/dt>\n        <dd>Uxval Gochez Gallery (Uxval Gochez Gallery)<br>Sicilia 382, 08025 Barcelona, Spain<\/dd>\n\n        <dt>Duration<\/dt>\n        <dd><time datetime=\"2026-11-20\">20 November<\/time> \u2013 <time datetime=\"2026-12-04\">4 December 2026<\/time><\/dd>\n\n        <dt>Opening<\/dt>\n        <dd>Friday, <time datetime=\"2026-11-20T19:30\">20 November 2026, 19:30<\/time><\/dd>\n\n        <dt>Book Presentation<\/dt>\n        <dd>Saturday, <time datetime=\"2026-11-21T12:00\">21 November 2026, 12:00<\/time><br>presented by Burak Bulut Y\u0131ld\u0131r\u0131m and Uxval Gochez<\/dd>\n\n        <dt>Gallery Hours<\/dt>\n        <dd>Monday \u2013 Friday, 11:00 \u2013 14:00<\/dd>\n\n        <dt>Other Times<\/dt>\n        <dd>By appointment \u00b7 +34 627 864 011<\/dd>\n\n        <dt>Gallery Telephone<\/dt>\n        <dd>+34 931 020 001<\/dd>\n\n        <dt>Getting There<\/dt>\n        <dd>Near the Sagrada Fam\u00edlia \u00b7 nearest metro: Sagrada Fam\u00edlia (L2 \/ L5)<\/dd>\n\n        <dt>Gallery Page<\/dt>\n        <dd><a href=\"https:\/\/www.uxvalgochez.com\/exhibits\/nudes-of-istanbul\/\" target=\"_blank\" rel=\"noopener nofollow\">uxvalgochez.com \u2014 Nudes of Istanbul<\/a><\/dd>\n      <\/dl>\n    <\/div>\n\n    <div class=\"noi-ledger-entry\">\n      <span class=\"noi-status\">Completed \u00b7 Berlin<\/span>\n      <h3>Die Akt Galerie, Berlin<\/h3>\n      <dl>\n        <dt>Venue<\/dt>\n        <dd>Die Akt Galerie<br>Krossener Str. 34, 10245 Berlin, Germany<\/dd>\n\n        <dt>Duration<\/dt>\n        <dd><time datetime=\"2026-07-03\">3<\/time> \u2013 <time datetime=\"2026-07-19\">19 July 2026<\/time><\/dd>\n\n        <dt>Opening Reception<\/dt>\n        <dd>Friday, <time datetime=\"2026-07-03T19:00\">3 July 2026, 19:00<\/time><\/dd>\n\n        <dt>Gallery Hours<\/dt>\n        <dd>Friday \u2013 Sunday, 15:00 \u2013 19:00<\/dd>\n\n        <dt>Getting There<\/dt>\n        <dd>15-minute walk from S+U Warschauer Stra\u00dfe \u00b7 short walk from U Samariterstra\u00dfe (U5)<\/dd>\n\n        <dt>Admission<\/dt>\n        <dd>Free<\/dd>\n\n        <dt>Status<\/dt>\n        <dd>First public presentation of the project; opened its international circulation.<\/dd>\n      <\/dl>\n    <\/div>\n\n  <\/div>\n\n  <p>\n    The Barcelona exhibition extends an existing relationship between Burak Bulut Y\u0131ld\u0131r\u0131m and Uxval Gochez Gallery. The gallery previously presented Y\u0131ld\u0131r\u0131m's work in the group exhibition <em>Eros & Thanatos<\/em> in 2023. Three years later, he returns not as an exhibiting photographer within the selection, but as curator and editor of a collective project authored by fourteen photographers.\n  <\/p>\n\n  <p>\n    Barcelona places the project within a city with a strong independent gallery culture, photographic history, publishing tradition, and international art audience. The exhibition brings the Istanbul-developed practice into a second European exhibition context while the accompanying publication continues to circulate independently through libraries, institutional collections, curatorial conversations, and photobook networks.\n  <\/p>\n\n  <p class=\"press-release-project-link\">\n    <a href=\"mailto:info@burakbulut.info?subject=Barcelona%20press%20enquiry%20-%20Nudes%20of%20Istanbul\">Barcelona Press Enquiries<\/a>\n    \u00b7 <a href=\"mailto:info@burakbulut.info?subject=Barcelona%20press%20preview%20-%20Nudes%20of%20Istanbul\">Request a Press Preview<\/a>\n  <\/p>\n<\/section>\n\n<section class=\"curatorial-ground noi26 noi-panel\" aria-labelledby=\"curatorial-ground-heading\" lang=\"en\">\n  <h2 id=\"curatorial-ground-heading\">The Curatorial Ground<\/h2>\n\n  <p>\n    Burak Bulut Y\u0131ld\u0131r\u0131m is the sole curator of <em>Nudes of Istanbul<\/em> and does not exhibit his own photographic work within the selection.\n  <\/p>\n\n  <p>\n    The project rests on his twenty-year practice in fine-art nude, portraiture, body-based photography, advanced lighting, and constructed studio image-making. Since opening his first studio in Istanbul in 2005, Y\u0131ld\u0131r\u0131m has worked across commercial photography, fine-art body-based projects, photographer education, and curator-led production environments.\n  <\/p>\n\n  <p>\n    For close to twenty years he has photographed hundreds of models in hundreds of thousands of fine-art nude frames; exhibited this work across several European cities; and, in Istanbul, transmitted this experience for fourteen years through nude art workshops in different conceptual formats to hundreds of photographers.\n  <\/p>\n\n  <p>\n    His long-term use of controlled light, physical material, model direction, UV-reactive pigments, reflective surfaces, long exposure, optical distortion, and studio-built visual premises forms the conceptual and technical ground from which this project developed.\n  <\/p>\n\n  <p>\n    <em>Nudes of Istanbul<\/em> is his second curatorial project after <em>LandsNude<\/em>, presented at Artcore Gallery in Thessaloniki in 2015. In both projects, the body is approached not as a decorative motif but as a site where light, space, material, authorship, and cultural visibility meet.\n  <\/p>\n\n  <p>\n    His role in <em>Nudes of Istanbul<\/em> is not to replace the authorship of the participating photographers. It is to define the curatorial field in which their authorship becomes readable: the premise, the environment, the ethical conditions, the selection, the taxonomy, and the publication framework.\n  <\/p>\n<\/section>\n\n<section class=\"publication noi26\" aria-labelledby=\"publication-heading\" lang=\"en\">\n  <h2 id=\"publication-heading\">Publication<\/h2>\n\n  <p class=\"noi-answer-lede\">\n    <em>Nudes of Istanbul<\/em> is an English-language hardcover photobook published by Mijuk Papers, Berlin, in 2026, containing 133 photographs by fourteen photographers, with a curatorial essay by Burak Bulut Y\u0131ld\u0131r\u0131m and commissioned texts by three model-authors. ISBN 978-3-00-087439-0.\n  <\/p>\n\n  <p>\n    The publication is not an exhibition catalogue. It is conceived as an autonomous book-length record of a rare collective fine-art nude photography practice from Turkey.\n  <\/p>\n\n  <p>\n    The book contains <strong>133 photographs<\/strong> and is designed to function independently of the exhibition programme, with each of the fourteen participating photographers represented through a dedicated selection. It was published by <strong>Mijuk Papers, Berlin, in 2026<\/strong>. <strong>ISBN 978-3-00-087439-0.<\/strong>\n  <\/p>\n\n  <p>\n    The publication includes a foreword and an extended curatorial essay by <strong>Burak Bulut Y\u0131ld\u0131r\u0131m<\/strong>, a historical framing of nude photography in Turkey drawing on Alberto Modiano's edited volume <em>T\u00fcrk Foto\u011fraf\u0131nda \u00c7\u0131plak<\/em> (2004) and I\u015f\u0131k \u00d6zdal's 2011 academic survey <em>T\u00fcrk Foto\u011fraf\u0131nda N\u00fc Sergilerin Analizi<\/em>, the six-register taxonomy used to organise the work, and three commissioned essays by <strong>Zeynep Renda<\/strong>, <strong>Su Ye\u015fil<\/strong>, and <strong>Marmelat<\/strong>.\n  <\/p>\n\n  <p>\n    The structure positions the project as a sustained collective practice shaped by shared conditions and distinct photographic authorship. It also recognises the models not as silent subject matter but as witnesses, collaborators, and authors of the book's intellectual and ethical structure.\n  <\/p>\n\n  <p>\n    The book circulates independently through art-book distribution, direct distribution, institutional outreach, academic reference, library acquisition, and curatorial research.\n  <\/p>\n\n  <h3>Institutional Circulation<\/h3>\n\n  <p>\n    Since publication, the book has entered institutional and library collections in three countries. The three placements are distinct in kind and are described here as they occurred.\n  <\/p>\n\n  <div class=\"noi-contact-grid\" aria-label=\"Institutional circulation\">\n    <div class=\"noi-contact-card\">\n      <span class=\"noi-contact-label\">London<\/span>\n      <div class=\"noi-contact-value\">\n        <strong>National Art Library, Victoria and Albert Museum<\/strong><br>\n        A copy was accepted into the library's collection.\n      <\/div>\n    <\/div>\n\n    <div class=\"noi-contact-card\">\n      <span class=\"noi-contact-label\">Istanbul<\/span>\n      <div class=\"noi-contact-value\">\n        <strong>Istanbul Modern Library<\/strong><br>\n        The publication is held in the museum library.\n      <\/div>\n    <\/div>\n\n    <div class=\"noi-contact-card\">\n      <span class=\"noi-contact-label\">Germany<\/span>\n      <div class=\"noi-contact-value\">\n        <strong>Deutsche Nationalbibliothek<\/strong><br>\n        Deposit copies were delivered to Germany's national library.\n      <\/div>\n    <\/div>\n  <\/div>\n\n  <p>\n    These placements are part of the publication's intended long-term function: to move a collective body of photographic work from limited circulation into durable public, institutional, academic, and archival contexts.\n  <\/p>\n\n  <p>\n    For library acquisition, institutional purchase, publication review, research access, distribution, or curatorial enquiries:\n    <a href=\"mailto:info@burakbulut.info\">info@burakbulut.info<\/a>.\n  <\/p>\n<\/section>\n\n<section class=\"noi26\" aria-labelledby=\"provenance-heading\" lang=\"en\">\n  <div class=\"noi-provenance\">\n    <h2 id=\"provenance-heading\">Photographic Provenance<\/h2>\n    <p>\n      <strong>Every photograph in <em>Nudes of Istanbul<\/em> was made in-camera, with a model physically present in the room, under conditions of documented consent.<\/strong> No work in the exhibition or in the publication was generated, extended, retouched into being, or substituted by generative artificial intelligence. Where material appears on the skin \u2014 pigment, water, fabric, glass, powder, projected or coloured light \u2014 it was physically present at the moment of exposure.\n    <\/p>\n    <p>\n      This is stated explicitly because it can no longer be assumed. The project's curatorial argument depends on it: the difference between a photograph of a body and a synthetic image of a body is not a stylistic difference but an ontological and ethical one. Consent, presence, and duration are properties of the photographic event, and they cannot be retrofitted to a generated image.\n    <\/p>\n  <\/div>\n<\/section>\n\n<!--\nKEEP THE EXISTING SELECTED WORKS GALLERY BELOW THIS POINT.\nOnly patch its heading:\n  \"Selected Works from the Exhibition\" \u2192 \"Selected Works\"\n\nAnd patch its subtitle to:\n  \"A preview of works by the fourteen participating photographers, shown in Berlin in July 2026 and in Barcelona in November 2026.\"\n\nKEEP THE EXISTING PRESS SCREENSHOT GALLERY AFTER THAT.\nOnly patch its heading:\n  \"PRESS\" \u2192 \"Press Coverage \u2014 Berlin, July 2026\"\n--><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-two\" style=\"--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;\"><h2 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><strong>Duration &#8211; <\/strong><strong>Matter<\/strong> &#8211; <strong>Opacity &#8211;<\/strong>\u00a0<strong>Rooms &#8211;<\/strong> <strong>\u00a0<\/strong><strong>Self-Possession &#8211; Surface\u00a0<\/strong><\/h2><\/div><div class=\"awb-gallery-wrapper awb-gallery-wrapper-1 button-span-no\" style=\"--more-btn-alignment:center;\"><div style=\"margin:-5px;--awb-bordersize:0px;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-3 fusion-columns-total-32 fusion-gallery-layout-masonry fusion-gallery-1\"><div class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-grid-sizer\"><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-portrait\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Duration-Burak-Ozcan-2.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" 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href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 1.6);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3.webp\" width=\"1000\" height=\"1500\" alt=\"\" title=\"Matter-Neslihan-Bilginer (3)\" aria-label=\"Matter-Neslihan-Bilginer (3)\" class=\"lazyload img-responsive wp-image-2215\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271000%27%20height%3D%271500%27%20viewBox%3D%270%200%201000%201500%27%3E%3Crect%20width%3D%271000%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3-200x300.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3-400x600.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3-600x900.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3-800x1200.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Neslihan-Bilginer-3.webp 1000w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-portrait\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 1.6);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3.webp\" width=\"1000\" height=\"1500\" alt=\"\" title=\"Matter-Ozan-Dengiz (3)\" aria-label=\"Matter-Ozan-Dengiz (3)\" class=\"lazyload img-responsive wp-image-2216\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271000%27%20height%3D%271500%27%20viewBox%3D%270%200%201000%201500%27%3E%3Crect%20width%3D%271000%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3-200x300.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3-400x600.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3-600x900.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3-800x1200.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-3.webp 1000w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-portrait\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 1.6);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4.webp\" width=\"1000\" height=\"1500\" alt=\"\" title=\"Matter-Ozan-Dengiz (4)\" aria-label=\"Matter-Ozan-Dengiz (4)\" class=\"lazyload img-responsive wp-image-2217\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271000%27%20height%3D%271500%27%20viewBox%3D%270%200%201000%201500%27%3E%3Crect%20width%3D%271000%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4-200x300.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4-400x600.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4-600x900.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4-800x1200.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Matter-Ozan-Dengiz-4.webp 1000w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-portrait\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 1.6);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3.webp\" width=\"1014\" height=\"1500\" alt=\"\" title=\"Opacity-Enis-Onur (3)\" aria-label=\"Opacity-Enis-Onur (3)\" class=\"lazyload img-responsive wp-image-2218\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271014%27%20height%3D%271500%27%20viewBox%3D%270%200%201014%201500%27%3E%3Crect%20width%3D%271014%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3-200x296.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3-400x592.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3-600x888.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3-800x1183.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-3.webp 1014w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-portrait\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 1.6);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur.webp\" width=\"1000\" height=\"1500\" alt=\"\" title=\"Opacity-Enis-Onur\" aria-label=\"Opacity-Enis-Onur\" class=\"lazyload img-responsive wp-image-2219\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271000%27%20height%3D%271500%27%20viewBox%3D%270%200%201000%201500%27%3E%3Crect%20width%3D%271000%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-200x300.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-400x600.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-600x900.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur-800x1200.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Enis-Onur.webp 1000w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-portrait\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 1.6);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6.webp\" width=\"1001\" height=\"1500\" alt=\"\" title=\"Opacity-Mehmet-Akif-Yalin (6)\" aria-label=\"Opacity-Mehmet-Akif-Yalin (6)\" class=\"lazyload img-responsive wp-image-2220\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271001%27%20height%3D%271500%27%20viewBox%3D%270%200%201001%201500%27%3E%3Crect%20width%3D%271001%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6-200x300.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6-400x599.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6-600x899.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6-800x1199.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mehmet-Akif-Yalin-6.webp 1001w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-grid\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 0.8 - 5px);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3.webp\" width=\"1500\" height=\"1000\" alt=\"\" title=\"Opacity-Mertkan-Hergul (3)\" aria-label=\"Opacity-Mertkan-Hergul (3)\" class=\"lazyload img-responsive wp-image-2221\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271500%27%20height%3D%271000%27%20viewBox%3D%270%200%201500%201000%27%3E%3Crect%20width%3D%271500%27%20height%3D%271000%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3-200x133.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3-400x267.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3-600x400.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3-800x533.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3-1200x800.webp 1200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Opacity-Mertkan-Hergul-3.webp 1500w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-portrait\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Burak-Ozcan-5.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 1.6);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Burak-Ozcan-5.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Burak-Ozcan-5.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Burak-Ozcan-5.webp\" width=\"1000\" height=\"1500\" alt=\"\" title=\"Rooms-Burak-Ozcan (5)\" aria-label=\"Rooms-Burak-Ozcan (5)\" class=\"lazyload 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img-responsive wp-image-2224\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27998%27%20height%3D%271500%27%20viewBox%3D%270%200%20998%201500%27%3E%3Crect%20width%3D%27998%27%20height%3D%271500%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Mehmet-Akif-Yalin-2-200x301.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Mehmet-Akif-Yalin-2-400x601.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Mehmet-Akif-Yalin-2-600x902.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Mehmet-Akif-Yalin-2-800x1202.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Mehmet-Akif-Yalin-2.webp 998w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div 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1500w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-grid\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Umut-Altun.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 0.8 - 5px);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Umut-Altun.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Umut-Altun.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Rooms-Umut-Altun.webp\" width=\"1500\" 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title=\"Self-Possession-Nevra-Topalismailoglu\" aria-label=\"Self-Possession-Nevra-Topalismailoglu\" class=\"lazyload img-responsive wp-image-2232\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271500%27%20height%3D%271000%27%20viewBox%3D%270%200%201500%201000%27%3E%3Crect%20width%3D%271500%27%20height%3D%271000%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Self-Possession-Nevra-Topalismailoglu-200x133.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Self-Possession-Nevra-Topalismailoglu-400x267.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Self-Possession-Nevra-Topalismailoglu-600x400.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Self-Possession-Nevra-Topalismailoglu-800x533.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Self-Possession-Nevra-Topalismailoglu-1200x800.webp 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src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Surface-Adem-Tayfun-Eser-4.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Surface-Adem-Tayfun-Eser-4.webp\" width=\"1500\" height=\"1000\" alt=\"\" title=\"Surface-Adem-Tayfun-Eser (4)\" aria-label=\"Surface-Adem-Tayfun-Eser (4)\" class=\"lazyload img-responsive wp-image-2233\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271500%27%20height%3D%271000%27%20viewBox%3D%270%200%201500%201000%27%3E%3Crect%20width%3D%271500%27%20height%3D%271000%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Surface-Adem-Tayfun-Eser-4-200x133.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Surface-Adem-Tayfun-Eser-4-400x267.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/05\/Surface-Adem-Tayfun-Eser-4-600x400.webp 600w, 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class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-110619.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-110619.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-110619.webp\" width=\"1485\" height=\"958\" alt=\"\" title=\"Ekran g\u00f6r\u00fcnt\u00fcs\u00fc 2026-06-27 110619\" aria-label=\"Ekran g\u00f6r\u00fcnt\u00fcs\u00fc 2026-06-27 110619\" class=\"lazyload img-responsive wp-image-2291\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271485%27%20height%3D%27958%27%20viewBox%3D%270%200%201485%20958%27%3E%3Crect%20width%3D%271485%27%20height%3D%27958%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" 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100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none fusion-element-grid\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718.webp\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_2]\" class=\"fusion-lightbox\" target=\"_self\"><div style=\"padding-top:calc((100% + 10px) * 0.8 - 5px);background-position:;\" class=\"fusion-masonry-element-container lazyload\" data-bg=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718.webp\"><img decoding=\"async\" src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718.webp\" data-orig-src=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718.webp\" width=\"1500\" height=\"1032\" alt=\"\" title=\"Ekran g\u00f6r\u00fcnt\u00fcs\u00fc 2026-06-27 151718\" aria-label=\"Ekran g\u00f6r\u00fcnt\u00fcs\u00fc 2026-06-27 151718\" class=\"lazyload img-responsive wp-image-2293\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271500%27%20height%3D%271032%27%20viewBox%3D%270%200%201500%201032%27%3E%3Crect%20width%3D%271500%27%20height%3D%271032%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718-200x138.webp 200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718-400x275.webp 400w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718-600x413.webp 600w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718-800x550.webp 800w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718-1200x826.webp 1200w, https:\/\/burakbulut.org\/wp-content\/uploads\/2026\/06\/Ekran-goruntusu-2026-06-27-151718.webp 1500w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/div><\/a><\/div><\/div><\/div><\/div><!-- HTML BLOCK 3 \/ 4\nREPLACE the current third HTML widget (Why This Project Matters + Curatorial Essay +\nCuratorial Taxonomy) with this entire block.\nNo existing argument or taxonomy text has been removed; Barcelona has only been added.\n-->\n<article class=\"curatorial-page nudes-of-istanbul\">\n\n  <section class=\"why-this-matters\" aria-labelledby=\"why-heading\">\n    <h2 id=\"why-heading\">Why This Project Matters<\/h2>\n\n    <h3>A rare collective record from Turkey<\/h3>\n    <p>\n      The public record of fine-art nude photography from Turkey has remained limited and intermittent \u2014 shaped by single-author exhibitions, a thin publication record, and a small number of documented reference points. <em>Nudes of Istanbul<\/em> appears within that narrow field as a rare collective book-length project dedicated to fine-art nude photography from Turkey.\n    <\/p>\n\n    <h3>A sustained practice, not a workshop archive<\/h3>\n    <p>\n      The project was formed through fourteen years of repeated, curator-directed photographic productions in Istanbul. Each production created a demanding photographic situation: a body, a visual premise, a lighting environment, a set of material conditions, and a shared ethical space. The selected works are not exercises; they are individual photographs made within a sustained collective field.\n    <\/p>\n\n    <h3>Shared conditions, distinct authorship<\/h3>\n    <p>\n      The exhibition holds two layers together: the curatorial field developed by Burak Bulut Y\u0131ld\u0131r\u0131m across fourteen years \u2014 concept, lighting, casting, set construction, material direction, publication framework \u2014 and the photographic authorship of each participating photographer in their frame, distance, timing, restraint, tonal sensitivity, and moment of release. Shared conditions are not treated as a weakness but as the structure through which differences in seeing become visible.\n    <\/p>\n\n    <h3>Models as authors, not only subjects<\/h3>\n    <p>\n      The publication includes commissioned essays by three model-authors central to the Istanbul practice: <strong>Zeynep Renda<\/strong>, <strong>Su Ye\u015fil<\/strong>, and <strong>Marmelat<\/strong>. Renda and Ye\u015fil write under their own names; Marmelat writes under a chosen pseudonym, addressing nude modelling within the Turkish fine arts academy from three years of experience as a nude model at a fine arts faculty. Their texts are structural components of the book, not supplementary commentary. The decision to include model voices follows from the curatorial position that nude photography is not only an image of a body, but a relationship between the person photographed, the person photographing, and the light that holds the room.\n    <\/p>\n\n    <h3>Berlin as the opening chapter, Barcelona as the second exhibition<\/h3>\n    <p>\n      The Berlin exhibition did not relocate the work away from Istanbul. It opened a public and international chapter for a body of photographs made in Istanbul and held for years within limited channels of circulation. That chapter continues in Barcelona at Uxval Gochez Gallery from 20 November to 4 December 2026, establishing a second European exhibition context for the same collective body of work.\n    <\/p>\n  <\/section>\n\n  <section class=\"curatorial-essay\" aria-labelledby=\"essay-heading\">\n    <h2 id=\"essay-heading\">Curatorial Essay<\/h2>\n\n    <p>\n      The argument of <em>Nudes of Istanbul<\/em> begins from a structural contradiction. Istanbul has produced a sustained and technically accomplished field of fine-art nude and body-based photography, yet this work has rarely entered international circulation through books, institutions, dedicated platforms, or collective exhibitions. The reasons are structural rather than artistic: a thin publication record, limited dedicated venues, intermittent exhibition visibility, and a historical record shaped largely by individual male authorship.\n    <\/p>\n\n    <p>\n      The exhibition addresses that absence through one specific collective practice. Fourteen photographers, selected from a fourteen-year curator-directed practice in Istanbul, are presented together as a coherent collective formation on an international platform. Five of the fourteen participating photographers are women. This matters not as a numerical correction, but as part of the project's structure of authorship: different positions of looking participate in deciding how the body is seen, framed, withheld, and released into public view.\n    <\/p>\n\n    <p>\n      The theoretical reading sits with three central questions. Jean Baudrillard is useful for recognising how the image can detach from the body it claims to depict \u2014 a question sharpened today by synthetic and AI-generated body imagery. Laura Mulvey remains unavoidable for any serious discussion of the gaze, not as a thesis to be mechanically applied to every nude photograph, but as the field within which images of the body continue to be made and read. Maurice Merleau-Ponty offers a phenomenological understanding of the body as the ground of perception, not simply an object viewed from outside.\n    <\/p>\n\n    <p>\n      The project also sits inside a wider Turkish discourse on body politics and representation. Artists such as \u0130pek Duben and Nilbar G\u00fcre\u015f have, across different media and registers, examined gender, intimacy, social codes, the body, and self-representation in Turkish visual culture. Ahu Antmen's writing on body, identity, gender, and art provides an important art-historical framework for understanding how the represented body has been shaped by modernity, cultural codes, and identity politics in Turkey. <em>Nudes of Istanbul<\/em> does not claim direct continuity with these practices. It sits alongside them as part of the same broader question: how is the body allowed to be seen, by whom, under what conditions, and through which forms of public record?\n    <\/p>\n\n    <p>\n      That question remains structurally charged. The public exhibition of nude photography from Turkey has often moved through limited channels: private studios, small circles, intermittent exhibitions, and a relatively thin publication record. This pattern is not specific to one country. In November 2024, \u0130nci Eviner's video <em>Harem<\/em> (2009) was withdrawn from the Mathaf Arab Museum of Modern Art exhibition <em>Seeing Is Believing<\/em> shortly before opening, a case widely discussed as censorship. Read together, such examples remind us that the politics of representing the body remain active, contemporary, and unevenly distributed across cultural contexts.\n    <\/p>\n\n    <p>\n      What the exhibition finally argues is this: the photograph of the nude \u2014 made in-camera, with physical intervention, in a room where the body is actually present \u2014 remains a serious artistic act at a time when synthetic body imagery has become increasingly normalised. In these photographs the body is not a motif. It is the working material of the image and, at the same time, a person who has consented, posed, waited, moved, resisted, and held the room. The light is real light. The surface is real glass, real fabric, real pigment, real water, real shadow, real skin.\n    <\/p>\n\n    <p>\n      The exhibition takes that physical and ethical ground as its starting point.\n    <\/p>\n  <\/section>\n\n  <section class=\"taxonomy\" aria-labelledby=\"taxonomy-heading\">\n    <h2 id=\"taxonomy-heading\">Curatorial Taxonomy<\/h2>\n\n    <p class=\"taxonomy-intro\">\n      The works are organised across six registers of the photographed body. Rather than treating the nude as a fixed genre, the sequence follows the dominant condition through which each photograph asks to be read: as surface, as matter, as withheld image, as a figure inside rooms, as duration, or as a self-possessed presence. A photograph is placed according to its primary visual force, not simply according to what appears inside the frame. The question is always curatorial: what is the photograph fundamentally doing to the body?\n    <\/p>\n\n    <div class=\"taxonomy-item\">\n      <h3>1. Surface<\/h3>\n      <p class=\"taxonomy-subtitle\"><em>The body as contour, terrain, and image surface<\/em><\/p>\n      <p>\n        A work belongs to <em>Surface<\/em> when the body is read before identity: as contour, volume, light, shadow, line, and terrain. Close framing, reduced context, low-key light, or a neutral ground can turn skin into image surface. These photographs do not primarily ask who the body is, where it is, or what material touches it \u2014 they ask how light makes form visible. A face may appear, but it should not dominate; if the gaze or self-held posture becomes the central force, the work moves toward <em>Self-Possession<\/em>, and if pigment, liquid, fabric, or coloured light actively changes the skin, toward <em>Matter<\/em>.\n      <\/p>\n    <\/div>\n\n    <div class=\"taxonomy-item\">\n      <h3>2. Matter<\/h3>\n      <p class=\"taxonomy-subtitle\"><em>Pigment, liquid, fabric, metal, and light acting on skin<\/em><\/p>\n      <p>\n        A work belongs to <em>Matter<\/em> when the body's surface is altered by physical or optical contact. Pigment, powder, paint, glitter, water, oil, fabric, metal, reflective material, projected light, or coloured light may stain, cover, mark, reflect, or reshape the skin. The body is not simply shown; it receives and records contact. If a material changes the surface of the body, the image belongs here; if it primarily interrupts the viewer's access to the body \u2014 by veiling, obscuring, or withholding visibility \u2014 the image moves toward <em>Opacity<\/em>. Matter touches the body; opacity stands between the body and the viewer.\n      <\/p>\n    <\/div>\n\n    <div class=\"taxonomy-item\">\n      <h3>3. Opacity<\/h3>\n      <p class=\"taxonomy-subtitle\"><em>The refusal of full visibility<\/em><\/p>\n      <p>\n        A work belongs to <em>Opacity<\/em> when the viewer's access to the body is interrupted. Fabric, water, haze, shadow, reflection, glass, translucent surfaces, veils, nets, or atmospheric light may make the figure present but not fully available \u2014 the image does not offer the body as transparent information; it delays, filters, or destabilises looking. Opacity is not simply atmosphere or darkness; if darkness draws the body as form, the work may belong to <em>Surface<\/em>, and if the person's direct look or self-contained posture becomes stronger than the obstruction, the work may move toward <em>Self-Possession<\/em>.\n      <\/p>\n    <\/div>\n\n    <div class=\"taxonomy-item\">\n      <h3>4. Rooms<\/h3>\n      <p class=\"taxonomy-subtitle\"><em>Private interiors, public pressure<\/em><\/p>\n      <p>\n        A work belongs to <em>Rooms<\/em> when interior space becomes a determining element of the photograph. Beds, chairs, sofas, curtains, carpets, walls, windows, doors, corners, bathrooms, and temporary studio interiors can all act as more than setting \u2014 they place the body inside a social and psychological field: privacy, permission, exposure, domesticity, and pressure. The presence of furniture alone is not enough; the room must affect how the body is read. If the body remains isolated as form, the work may belong to <em>Surface<\/em>; if the figure's inwardness or gaze is the strongest force, to <em>Self-Possession<\/em>.\n      <\/p>\n    <\/div>\n\n    <div class=\"taxonomy-item\">\n      <h3>5. Duration<\/h3>\n      <p class=\"taxonomy-subtitle\"><em>Movement, suspension, gravity, and time<\/em><\/p>\n      <p>\n        A work belongs to <em>Duration<\/em> when the body is read as an event in time. Movement, suspension, balance, blur, long exposure, dance, acrobatics, falling, holding, stretching, or resisting gravity replace the fixed pose with a sense of physical duration. The photograph records not only a body, but the time it takes to hold, move, fall, remain suspended, or resist collapse. Duration does not require visible blur \u2014 a still image may belong here if the body carries strong physical tension: muscle strain, balance, suspension, or resistance.\n      <\/p>\n    <\/div>\n\n    <div class=\"taxonomy-item\">\n      <h3>6. Self-Possession<\/h3>\n      <p class=\"taxonomy-subtitle\"><em>The body held by the person within the image<\/em><\/p>\n      <p>\n        A work belongs to <em>Self-Possession<\/em> when the body is not surrendered to the viewer but held by the person within the image. This may happen through direct gaze, refusal, stillness, inwardness, a closed posture, a self-protective gesture, or a quiet insistence on presence. The category is not about vulnerability \u2014 it is about the body as belonging to someone. A visible face is a strong signal but not a requirement; a turned back, a folded body, or a withdrawn posture may also produce self-possession if the figure remains legible as a person setting the terms of visibility.\n      <\/p>\n    <\/div>\n\n  <\/section>\n\n<\/article><!-- HTML BLOCK 4 \/ 4\nREPLACE the current fourth HTML widget (Turkish Genealogy + International Circulation +\nPress & Institutional Enquiries + Related Curatorial Work + Theoretical References + footer)\nwith this entire block.\n\nThe JSON-LD is appended at the bottom of this block. Paste it only once.\n-->\n<section class=\"photographic-lineage noi26 noi-panel\" aria-labelledby=\"lineage-heading\" lang=\"en\">\n  <h2 id=\"lineage-heading\">The Turkish Genealogy<\/h2>\n\n  <div class=\"noi-lineage-turkish\">\n    <p>\n      A Turkish genealogy of nude photography exists, but it has been intermittent rather than cumulative. I\u015f\u0131k \u00d6zdal's 2011 academic survey, <em>T\u00fcrk Foto\u011fraf\u0131nda N\u00fc Sergilerin Analizi<\/em>, traces a record beginning with \u00c7erkes Karada\u011f's <em>N\u00fcans<\/em> \u2014 shown in Cologne in 1988 and Istanbul in 1989 \u2014 followed by a limited sequence of later exhibitions by photographers including Mehmet Ko\u015ftumo\u011flu, Levent \u00d6get, \u0130brahim G\u00f6\u011fer, Orhan Alpt\u00fcrk, Saygun Dura, Cem Boyner, and Niko Guido.\n    <\/p>\n\n    <p>\n      \u00d6zdal's survey identifies a field shaped by discontinuity. The practice has largely appeared through individual exhibitions rather than sustained collective structures. The published record remains thin, with Alberto Modiano's <em>T\u00fcrk Foto\u011fraf\u0131nda \u00c7\u0131plak<\/em> (2004) standing as one of the few substantial book-length treatments of the subject. The historical record also shows a pronounced imbalance in authorship, with women photographers largely absent from the early exhibition history documented in the survey.\n    <\/p>\n\n    <p>\n      The period after 2011 has not produced a continuous, widely visible institutional record of fine-art nude photography from Turkey. Body politics, however, remained central to Turkish visual culture. In the broader field of art history and contemporary practice, Ahu Antmen's writing on body, identity, gender, and representation; \u0130pek Duben's long-term engagement with the body, identity, gender, and self-representation; the historical framing of the nude in modern Turkish painting; and Nilbar G\u00fcre\u015f's sustained practice around gender, social codes, and embodied identity define a wider cultural field in which the visibility of the body remains contested.\n    <\/p>\n\n    <p>\n      These practices do not form a direct lineage for <em>Nudes of Istanbul<\/em>. The project is photographic, collective, and rooted in one long-term Istanbul working environment. But they help define the broader question to which the project belongs: how does the body become visible in Turkish visual culture, who is allowed to frame it, and through which structures can it enter public record?\n    <\/p>\n\n    <p>\n      <em>Nudes of Istanbul<\/em> is positioned in relation to these conditions. The accompanying publication appears as a rare book-length collective project dedicated to fine-art nude photography from Turkey after Modiano's 2004 volume. It presents a sustained collective practice rather than a single author. Five of the fourteen participating photographers are women. It includes commissioned essays by three model-authors. And it organises the work explicitly through six contemporary registers \u2014 Surface, Matter, Opacity, Rooms, Duration, and Self-Possession \u2014 that connect the Istanbul practice to current frameworks in art photography.\n    <\/p>\n\n    <p>\n      The exhibition does not claim to close the historical gap. It claims to mark the point at which a different conversation becomes possible.\n    <\/p>\n  <\/div>\n<\/section>\n\n<section class=\"future-programming noi26 noi-panel noi-panel--soft\" aria-labelledby=\"future-heading\" lang=\"en\">\n  <h2 id=\"future-heading\">Berlin \u2192 Barcelona: International Circulation<\/h2>\n\n  <p class=\"noi-intro\">\n    Berlin opened the project's public international circulation; Barcelona continues it. The publication circulates on its own track, independently of either venue.\n  <\/p>\n\n  <p>\n    The first public presentation took place at Die Akt Galerie in Berlin from 3 to 19 July 2026. The second exhibition presentation is confirmed at Uxval Gochez Gallery in Barcelona from 20 November to 4 December 2026, with an opening on Friday, 20 November at 19:30 and a public book presentation on Saturday, 21 November at 12:00.\n  <\/p>\n\n  <p>\n    London remains a priority context for the project's international publication and institutional circulation, including UK-facing press outreach, library and museum conversations, book presentation possibilities, and future exhibition enquiries. The National Art Library at the Victoria and Albert Museum has already accepted a copy of the publication into its collection.\n  <\/p>\n\n  <p>\n    <em>Nudes of Istanbul<\/em> is also intended to continue through book presentations, exhibitions, public conversations, institutional collaborations, and academic programming in Turkey and selected European cities. Future presentations in Istanbul, Turkey, and other European contexts are being explored.\n  <\/p>\n\n  <p>\n    The publication is designed to circulate independently of any single venue through art book distribution, direct distribution, institutional outreach, selected library acquisition, and archival placement. In addition to the National Art Library at the V&A in London, the book is held by Istanbul Modern Library and deposit copies have been delivered to the Deutsche Nationalbibliothek in Germany. Reading copies or digital previews may be made available to curators, editors, publishers, critics, and academic researchers by arrangement.\n  <\/p>\n\n  <p>\n    Institutions interested in hosting the exhibition, organising a public conversation, building academic programming around the publication, discussing book distribution, or acquiring the book for a library or archive are welcome to enquire.\n  <\/p>\n\n  <div class=\"noi-taxonomy-strip\" aria-label=\"Six curatorial registers\">\n    <div class=\"noi-taxonomy-pill\">Surface<\/div>\n    <div class=\"noi-taxonomy-pill\">Matter<\/div>\n    <div class=\"noi-taxonomy-pill\">Opacity<\/div>\n    <div class=\"noi-taxonomy-pill\">Rooms<\/div>\n    <div class=\"noi-taxonomy-pill\">Duration<\/div>\n    <div class=\"noi-taxonomy-pill\">Self-Possession<\/div>\n  <\/div>\n<\/section>\n\n<section class=\"press-inquiries noi26 noi-panel noi-panel--dark\" aria-labelledby=\"press-heading\" lang=\"en\">\n  <h2 id=\"press-heading\">Press, Publishers & Institutional Enquiries<\/h2>\n\n  <p>\n    Press materials are available: selected high-resolution images, curatorial statements, photographer biographies, factual press releases, publication preview material, reading copies by arrangement, interview availability, exhibition details, and image credit and consent information. Curatorial statements exist in English, German, and Turkish; dedicated Barcelona press materials are available in <strong>English, Spanish, and Catalan<\/strong>.\n  <\/p>\n\n  <p>\n    The Barcelona exhibition is open to journalist previews, interview requests, academic visits, publisher conversations, institutional hosting enquiries, and curatorial meetings during the exhibition period by arrangement. The curator is present in Barcelona for the opening on 20 November 2026 and for the public book presentation at Uxval Gochez Gallery on Saturday, 21 November 2026 at 12:00.\n  <\/p>\n\n  <p>\n    Curators, art critics, editors, publishers, library acquisition teams, and academic researchers working in contemporary photography, nude art, Turkish visual culture, gender, image politics, body-based practice, publication histories, or collective authorship are particularly welcomed.\n  <\/p>\n\n  <div class=\"noi-contact-grid noi-contact-grid--single\">\n    <div class=\"noi-contact-card\">\n      <span class=\"noi-contact-label\">Press enquiries and institutional contact<\/span>\n      <div class=\"noi-contact-value\">\n        <a href=\"mailto:info@burakbulut.info\">info@burakbulut.info<\/a><br>\n        <a href=\"https:\/\/drive.google.com\/drive\/folders\/1JkDHiDSKUnJwT71HRTBl0iRSnrwk1OWj?usp=drive_link\" target=\"_blank\" rel=\"noopener nofollow\">Press Media Kit<\/a>\n      <\/div>\n    <\/div>\n  <\/div>\n<\/section>\n\n<section class=\"related-projects noi26 noi-panel noi-panel--soft\" aria-labelledby=\"related-heading\" lang=\"en\">\n  <h2 id=\"related-heading\">Related Curatorial Work<\/h2>\n\n  <div class=\"noi-related-project-card\">\n    <p>\n      The curator's previous curatorial project, <a href=\"https:\/\/burakbulut.org\/landsnude\/\"><em>LandsNude<\/em><\/a>, was presented at Artcore Gallery, Thessaloniki, Greece, in 2015. The project brought together body-based photographic work in relation to landscape and marked an earlier attempt to carry Istanbul-based photographic practice into an international exhibition context.\n    <\/p>\n\n    <p>\n      <em>Nudes of Istanbul<\/em> extends that curatorial line into a larger publication and exhibition structure: fourteen photographers, six registers, three model-authors, an English-language book held in three institutional libraries, and an international circulation programme that opened at Die Akt Galerie in Berlin in July 2026 and continues at Uxval Gochez Gallery in Barcelona in November 2026. London remains an important institutional and publication context, while further exhibition possibilities continue to be developed.\n    <\/p>\n  <\/div>\n<\/section>\n\n<section class=\"theoretical-references noi26 noi-panel\" aria-labelledby=\"references-heading\" lang=\"en\">\n  <h2 id=\"references-heading\">Theoretical References<\/h2>\n\n  <p class=\"noi-intro\">\n    The curatorial framework draws on the following primary references.\n  <\/p>\n\n  <ul class=\"references-list noi-references-grid\">\n    <li>Antmen, Ahu. <em>Kimlikli Bedenler: Sanat, Kimlik, Cinsiyet<\/em>. Sel Yay\u0131nc\u0131l\u0131k, Istanbul, 2014.<\/li>\n    <li>Baudrillard, Jean. <em>Simulacra and Simulation<\/em>. University of Michigan Press, 1994.<\/li>\n    <li>Berger, John. <em>Ways of Seeing<\/em>. Penguin Books, 1972.<\/li>\n    <li>Merleau-Ponty, Maurice. <em>Phenomenology of Perception<\/em>. Routledge, 2012 (1945).<\/li>\n    <li>Modiano, Alberto (ed.). <em>T\u00fcrk Foto\u011fraf\u0131nda \u00c7\u0131plak<\/em>. Bile\u015fim Yay\u0131nevi, Istanbul, 2004.<\/li>\n    <li>Mulvey, Laura. \"Visual Pleasure and Narrative Cinema.\" <em>Screen<\/em> 16:3, 1975.<\/li>\n    <li>\u00d6zdal, I\u015f\u0131k. \"T\u00fcrk Foto\u011fraf\u0131nda N\u00fc Sergilerin Analizi.\" <em>SD\u00dc ART-E<\/em>, 2011.<\/li>\n    <li>Sontag, Susan. <em>On Photography<\/em>. Farrar, Straus and Giroux, 1977.<\/li>\n  <\/ul>\n\n  <p class=\"references-note\">\n    The full bibliography \u2014 including primary sources for the Turkish exhibition history and post-2011 body-politics references discussed above \u2014 appears in the publication.\n  <\/p>\n<\/section>\n\n<div class=\"page-footer-cta noi-footer-cta noi26\" lang=\"en\">\n  <p class=\"noi-footer-note\">\n    Further updates \u2014 Barcelona programme details, press coverage, publication circulation, institutional placements, future exhibition dates, and public events \u2014 will be posted on this page as the project's international circulation continues. 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