{"id":2065,"date":"2026-04-21T17:06:40","date_gmt":"2026-04-21T15:06:40","guid":{"rendered":"https:\/\/burakbulut.org\/?page_id=2065"},"modified":"2026-11-05T21:06:22","modified_gmt":"2026-11-05T20:06:22","slug":"biyo-beyan","status":"publish","type":"page","link":"https:\/\/burakbulut.org\/tr\/bio-statement\/","title":{"rendered":"Biyografi & A\u00e7\u0131klama"},"content":{"rendered":"
\n\n\n\n
\n

Sanat\u00e7\u0131<\/p>\n\n

Burak Bulut Y\u0131ld\u0131r\u0131m<\/h1>\n

Berlin\u2019de ya\u015f\u0131yor ve \u00e7al\u0131\u015f\u0131yor; \u0130stanbul\u2019da da st\u00fcdyosu var<\/p>\n\n<\/header>

\n

Sanat\u00e7\u0131 metni<\/h2>\n

Prati\u011fim, bedenin yaln\u0131zca bir \u00f6zne olmaktan \u00e7\u0131k\u0131p bir araca d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc yerde ba\u015fl\u0131yor. Yirmi y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir \u00e7\u0131plak bedeni \u0131\u015f\u0131k, optik, zaman ve fiziksel malzemeyle foto\u011frafl\u0131yorum. Foto\u011fraflar\u0131mda beden hep ba\u015fka bir \u015feye d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n\n

\u00c7al\u0131\u015fmalar\u0131m, bedenin kendisini \u00e7evreleyen ortama kar\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131 ana tekrar tekrar d\u00f6n\u00fcyor. Niche<\/em>\u00a0serisinde, odada yaln\u0131z kalan bir fig\u00fcr k\u00f6\u015felere k\u0131vr\u0131l\u0131r; odan\u0131n renkleri tenin renklerine d\u00f6n\u00fc\u015f\u00fcr. Ecotone<\/em>\u00a0serisinde beden, \u00fczerinde hayvanlar\u0131n otlad\u0131\u011f\u0131, insanlar\u0131n y\u00fcr\u00fcd\u00fc\u011f\u00fc ve \u00e7al\u0131\u015ft\u0131\u011f\u0131 topraklarda, di\u011fer canl\u0131lar aras\u0131nda bir canl\u0131 olarak do\u011faya d\u00f6ner; ten ile manzara aras\u0131ndaki s\u0131n\u0131r silinir. Only You Are Close, When Everything Is Far Away<\/em> pandemi g\u00fcnlerinde su k\u0131y\u0131s\u0131nda \u00e7ekildi. \u0130nsanlardan uzak kalmak, modern hayat\u0131n kolayca unutturdu\u011fu do\u011faya yak\u0131nl\u0131\u011f\u0131 geri getirdi. Motus<\/em>\u00a0serisinde dans\u00e7\u0131lar ve hareket eden modeller, bir jesti uzun pozlama s\u00fcresine yayar. Hareket ve zaman mek\u00e2n\u0131n \u00f6zelliklerini kazan\u0131rken beden kendi hareketinin izinde kaybolur. Lucida<\/em>\u00a0serisinde ultraviyole \u0131\u015f\u0131k alt\u0131ndaki floresan pigment, bedeni onu g\u00f6r\u00fcn\u00fcr k\u0131lan \u0131\u015f\u0131\u011f\u0131n kayna\u011f\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Antemortem<\/em>\u00a0serisinde beden kendi sonunun i\u015faretlerine yak\u0131n durur; h\u00e2l\u00e2 orada ama gitmeye ba\u015flam\u0131\u015f.<\/p>\n\n

Beden, i\u00e7sel h\u00e2llerin g\u00f6r\u00fcn\u00fcr oldu\u011fu yerdir. Melancholia<\/em> melankoliyi, tek bir nedeni olmayan bir y\u00fck olarak yorumlar: i\u00e7e d\u00f6nm\u00fc\u015f, yava\u015flam\u0131\u015f bir beden, ad\u0131n\u0131 koyamad\u0131\u011f\u0131 bir \u015feye tutunmu\u015f, isteksizce ula\u015fan bir \u0131\u015f\u0131\u011f\u0131n alt\u0131nda. Crave<\/em> i\u015ftaha ve hazza y\u00f6nelir: s\u0131cakl\u0131k, dokunma, tat, duman ve bu\u011fulu cam\u0131n keskinle\u015ftirdi\u011fi arzu ve kar\u015f\u0131l\u0131k veren bir bak\u0131\u015f. Elsewhere<\/em> dar sokaklara, k\u00f6pr\u00fclere, balkonlara ve \u015fehrin siluetinin \u00f6n\u00fcne \u00e7\u0131plak bir beden yerle\u015ftirir; ba\u015fkalar\u0131yla payla\u015f\u0131lan bir mek\u00e2nda yaln\u0131zca var olman\u0131n ne anlama geldi\u011fini sorgular. Chimera<\/em>\u00a0serisinde b\u00fck\u00fclm\u00fc\u015f ayna levhalar\u0131 fig\u00fcr\u00fc \u00e7o\u011falt\u0131r ve katlar; beden b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc korurken alg\u0131 par\u00e7alan\u0131r. Dysmorphia<\/em>\u00a0serisinde ayna, modellerin kendi bak\u0131\u015flar\u0131na d\u00f6ner: modeller \u00e7arp\u0131lm\u0131\u015f yans\u0131malar\u0131yla ve toplumsal bask\u0131n\u0131n, hissettikleri beden ile g\u00f6rd\u00fckleri beden aras\u0131nda a\u00e7abilece\u011fi mesafeyle y\u00fczle\u015fir. UnNude<\/em> her \u015feyi siyah-beyaza, sert \u0131\u015f\u0131\u011fa ve \u00f6l\u00e7e\u011fe indirger. Ten \u00e7izgi, k\u0131vr\u0131m hacim olarak okunmaya ba\u015flar; \u201cBu kim?\u201d sorusu yerini \u201cBir y\u00fczey \u0131\u015f\u0131\u011f\u0131 nas\u0131l tutar?\u201d sorusuna b\u0131rak\u0131r.<\/p>\n\n

G\u00f6r\u00fcnt\u00fcy\u00fc esas olarak \u00e7ekim s\u0131ras\u0131nda olu\u015fturuyorum. Chimera<\/em> serisindeki bozulmalar b\u00fck\u00fclm\u00fc\u015f ayna levhalar\u0131ndan; Motus<\/em> serisindeki bulan\u0131kl\u0131k uzun pozlama ve foto\u011fraf makinesinin hareketinden; Lucida<\/em> serisindeki \u0131\u015f\u0131ma ise ultraviyole \u0131\u015f\u0131\u011fa tepki veren pigmentten do\u011far. Hi\u00e7bir g\u00f6r\u00fcnt\u00fcy\u00fc yapay zek\u00e2yla \u00fcretmiyor ya da geni\u015fletmiyorum. Photoshop ve Lightroom\u2019u yaln\u0131zca ton kontrol\u00fc, temizlik, renk d\u00fczeltme ve bask\u0131ya haz\u0131rl\u0131k i\u00e7in kullan\u0131yorum. Bu tercihlerin nedeni orada bulunmak. G\u00f6r\u00fcnt\u00fc odada, sokakta ya da arazide, ki\u015fi objektifin \u00f6n\u00fcndeyken ve deklan\u015f\u00f6r a\u00e7\u0131kken olu\u015fmal\u0131.<\/p>\n\n

Foto\u011fraf\u0131n\u0131 \u00e7ekti\u011fim ki\u015filer kat\u0131l\u0131mc\u0131, asla hammadde de\u011fil. Serilerimin bir\u00e7o\u011funu dans\u00e7\u0131lar, performans sanat\u00e7\u0131lar\u0131 ve beden sanat\u00e7\u0131lar\u0131yla \u00fcrettim. In Haste<\/em>\u00a0serisinde balerinler \u0130stanbul\u2019un metrosunda, vapurlar\u0131nda ve sokaklar\u0131nda habersizce dans etti. Ben de \u00e7evrelerindeki insanlar\u0131 foto\u011fraflad\u0131m: durup izleyenleri ve hi\u00e7bir \u015fey olmuyormu\u015f gibi y\u00fcr\u00fcy\u00fcp gidenleri. Stills<\/em>\u00a0serisini sanat y\u00f6netmeni Meryem Ayd\u0131n\u2019la birlikte haz\u0131rlad\u0131k. Be\u015f dans\u00e7\u0131 farkl\u0131 g\u00fcnlerde st\u00fcdyoya geldi ve g\u00fcndelik nesneleri g\u00f6steren ayn\u0131 on \u00fc\u00e7 foto\u011frafa, her nesnenin kendilerinde uyand\u0131rd\u0131\u011f\u0131 ilk imgeyle kar\u015f\u0131l\u0131k verdi. Birbirlerinin yan\u0131tlar\u0131n\u0131 hi\u00e7 g\u00f6rmediler. Her foto\u011fraf\u0131n ko\u015fulu r\u0131za. Nudes of Istanbul<\/em> projesinin k\u00fcrat\u00f6rl\u00fc\u011f\u00fc bu yakla\u015f\u0131m\u0131 kendi \u00e7al\u0131\u015fmalar\u0131m\u0131n \u00f6tesine ta\u015f\u0131d\u0131. On d\u00f6rt foto\u011fraf\u00e7\u0131n\u0131n yan\u0131nda \u00fc\u00e7 model de kitaba yazar olarak kat\u0131ld\u0131, \u00e7\u00fcnk\u00fc foto\u011fraflanan ki\u015finin, bedenin nas\u0131l g\u00f6r\u00fcld\u00fc\u011f\u00fc konusunda s\u00f6z\u00fc olmal\u0131.<\/p>\n\n

Fig\u00fcr\u00fcn, kendi g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fcn ko\u015fullar\u0131n\u0131 belirlemesine izin veriyorum. Bazen y\u00fcz ba\u015fka y\u00f6ne d\u00f6ner ya da siluete kar\u0131\u015f\u0131r; bazen de Crave<\/em>\u00a0serisinde oldu\u011fu gibi, g\u00f6r\u00fcnt\u00fc bak\u0131\u015f\u0131m\u0131za do\u011frudan kar\u015f\u0131l\u0131k verir. \u0130ki durumda da beden kadraj\u0131n i\u00e7indeki ki\u015fiye ait. Bu i\u015fler k\u0131\u015fk\u0131rtmadan de\u011fil, dikkatten do\u011fuyor: bedeni g\u00f6rmenin ba\u015flad\u0131\u011f\u0131 yer sayan ve foto\u011fraflanan ki\u015fiyi b\u00fct\u00fcn b\u0131rakan, uzun soluklu bir bak\u0131\u015ftan.<\/p>\n\n<\/section>

\n

Biyografi<\/h2>\n

Burak Bulut Y\u0131ld\u0131r\u0131m (1982, \u0130stanbul) Berlin\u2019de ya\u015fayan bir foto\u011fraf\u00e7\u0131, sanat\u00e7\u0131, k\u00fcrat\u00f6r ve e\u011fitimci. \u0130stanbul\u2019da sanat gazetecisi olarak ba\u015flad\u0131, sonra foto\u011frafa ge\u00e7ti ve ilk st\u00fcdyosunu 2005\u2019te orada a\u00e7t\u0131. Sanat foto\u011fraflar\u0131nda bedeni \u0131\u015f\u0131kla, kamera i\u00e7i optikle, fiziksel malzemeyle ve mekanla bi\u00e7imlenen bir ara\u00e7 olarak ele al\u0131yor. \u0130\u015fleri yak\u0131n portre, performatif foto\u011fraf ve n\u00fc aras\u0131nda gidip geliyor.<\/p>\n\n

Serileri: UnNude<\/em>; Chimera<\/em>; Dysmorphia<\/em>; Motus<\/em>; In Haste<\/em>; Stills<\/em>; Ecotone<\/em>; Only You Are Close, When Everything Is Far Away<\/em>; Elsewhere<\/em>; Niche<\/em>; Antemortem<\/em>; Melancholia<\/em>; Lucida<\/em>\u00a0ve Crave<\/em>. Baz\u0131lar\u0131 birbirine yak\u0131ndan ba\u011fl\u0131: Dysmorphia<\/em> ile Chimera<\/em>, In Haste<\/em> ve Stills<\/em> ile Motus<\/em>\u00a0ve Only You Are Close, When Everything Is Far Away<\/em> ile Ecotone<\/em>. Bu serilerde beden manzara, mimari, \u0131\u015f\u0131k ve i\u00e7sel bir h\u00e2l olarak g\u00f6r\u00fcn\u00fcr; kamera \u00f6n\u00fcnde b\u00fck\u00fclm\u00fc\u015f aynalar, uzun pozlama, ultraviyole \u0131\u015f\u0131k ve pigmentle bi\u00e7imlenir. Baz\u0131 seriler bedenin bir odaya, bir k\u0131y\u0131ya ya da kendi hareketinin izine kar\u0131\u015fmas\u0131n\u0131 izler, baz\u0131lar\u0131 ise onda melankoliyi, arzuyu ya da bir sonun yak\u0131nl\u0131\u011f\u0131n\u0131 okur.<\/p>\n\n

Foto\u011fraflar\u0131 Avrupa\u2019da ki\u015fisel ve karma sergilerde g\u00f6sterildi. Bunlar aras\u0131nda UnNude: Bedenin Mimarisi<\/em> Die Akt Galerie, Berlin'de (2025); Portraits<\/em>, Fogae Gallery, Z\u00fcrih (2025); Dress Code: Light<\/em>, Die Akt Galerie, Berlin (2024); Eros & Thanatos<\/em>, Uxval Gochez Gallery, Barselona (2023); Bodies in Movement<\/em>, Loosen Art Gallery, Roma (2019); Black Light<\/em> ve In Haste<\/em> Heilbronn\u2019daki Volksbank Gallery ve Abraham-Gumbel-Saal\u2019da (2019); ve In Haste<\/em> Pinelo Art Gallery, \u0130stanbul\u2019da (2014) a\u00e7\u0131lan sergiler var. 2025\u2019te The Other Art Fair, Londra\u2019da i\u015flerini sundu. 2026\u2019da Lucida<\/em> serisinden i\u015fler URBAN Exhibits: Photo Days Tour<\/em>, Trieste Photo Days kapsam\u0131nda Trieste\u2019deki Mercato Coperto\u2019da g\u00f6sterildi.<\/p>\n\n

Kendi i\u015flerinin yan\u0131nda k\u00fcrat\u00f6rl\u00fck de yap\u0131yor. K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131 sergi Nudes of Istanbul<\/em><\/a>, \u0130stanbul\u2019dan on d\u00f6rt foto\u011fraf\u00e7\u0131y\u0131 ve \u00fc\u00e7 model-yazar\u0131 bir araya getiriyor. Sergi Die Akt Galerie, Berlin\u2019de a\u00e7\u0131ld\u0131 (3-19 Temmuz 2026) ve Uxval Gochez Gallery, Barselona\u2019da s\u00fcr\u00fcyor (20 Kas\u0131m-4 Aral\u0131k 2026). Sergiye Mijuk Papers\u2019\u0131n (Berlin) yay\u0131mlad\u0131\u011f\u0131 \u0130ngilizce, ciltli bir foto\u011fraf kitab\u0131 e\u015flik ediyor (ISBN 978-3-00-087439-0); kitap Londra\u2019da V&A b\u00fcnyesindeki National Art Library, \u0130stanbul Modern K\u00fct\u00fcphanesi ve Deutsche Nationalbibliothek koleksiyonlar\u0131nda. Proje \u00fczerine bir de k\u0131sa belgesel var: Nudes of Istanbul: The Body and the Room<\/em>, Meryem Ayd\u0131n\u2019\u0131n y\u00f6netti\u011fi bu film LOOP Barcelona 2026 kapsam\u0131nda LOOP City Screen program\u0131na se\u00e7ildi; 20 ve 21 Kas\u0131m\u2019da galeride g\u00f6sterilecek. Daha \u00f6nceki k\u00fcrat\u00f6rl\u00fck projesi LandsNude<\/em><\/a> 2015'te Selanik'teki Artcore Gallery'de sergilendi.<\/p>\n\n

E\u011fitimci olarak 5.000\u2019den fazla foto\u011fraf \u00f6\u011frencisine rehberlik etti.<\/p>\n\n

K\u00fcrat\u00f6r Michael Hanna, i\u015flerini Aedra Fine Arts i\u00e7in de\u011ferlendirdi. 2012 ve 2017\u2019de International Photography Awards\u2019ta mansiyon ald\u0131. Dysmorphia<\/em> 2024 Annual Photography Awards\u2019ta Body & Nudes kategorisinde mansiyon ald\u0131. Se\u00e7ilmi\u015f eserleri \u00f6zel koleksiyonlarda; i\u015fleri 5 n\u00fcsha + 1 sanat\u00e7\u0131 provas\u0131 (AP) edisyonla, ar\u015fiv kalitesinde pigment bask\u0131 olarak edinilebiliyor.<\/p>\n\n

2018\u2019den beri Sony Europe Imaging Ambassador. Bund Professioneller Portraitfotografen (BPP) ve Royal Photographic Society \u00fcyesi; IGBK\u2019n\u0131n (Internationale Gesellschaft der Bildenden K\u00fcnste) Uluslararas\u0131 Sanat\u00e7\u0131 Kart\u0131\u2019na sahip.<\/p>\n\n<\/section>

\n

\u0130leti\u015fim<\/h2>\n

St\u00fcdyo, temsilcilik, bask\u0131 sat\u0131\u015flar\u0131 ve bask\u0131 serileri: studio@burakbulut.org<\/p>\n\n

Bas\u0131n ve kurumsal sorular: info@burakbulut.info<\/p>\n\n<\/section><\/article>

\n
\n \n

Biyografi ve sanat\u00e7\u0131 metni<\/h2>\n

Sanatsal pratik, uzun soluklu ara\u015ft\u0131rma, k\u0131sa biyografi.<\/p>\n <\/a>\n\n \n

CV<\/h2>\n

Sergiler, k\u00fcrat\u00f6rl\u00fck projeleri, \u00f6d\u00fcller ve \u00fcyelikler.<\/p>\n <\/a>\n\n \n

Edisyonlar<\/h2>\n

S\u0131n\u0131rl\u0131 edisyon fine art bask\u0131lar. Koleksiyonerler i\u00e7in bilgi.<\/p>\n <\/a>\n\n \n

Metinler ve bas\u0131n<\/h2>\n

Ele\u015ftirel metinler, incelemeler, s\u00f6yle\u015filer, yay\u0131nlar.<\/p>\n <\/a>\n <\/section>\n\n

\n

\n St\u00fcdyo: studio@burakbulut.org \u00b7 Bask\u0131lar: print@burakbulut.org\n <\/p>\n <\/section>\n<\/article><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2065","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages\/2065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/comments?post=2065"}],"version-history":[{"count":12,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages\/2065\/revisions"}],"predecessor-version":[{"id":2688,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages\/2065\/revisions\/2688"}],"wp:attachment":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/media?parent=2065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}