{"id":2065,"date":"2026-04-21T17:06:40","date_gmt":"2026-04-21T15:06:40","guid":{"rendered":"https:\/\/burakbulut.org\/?page_id=2065"},"modified":"2026-10-23T01:51:46","modified_gmt":"2026-10-22T23:51:46","slug":"biyo-beyan","status":"publish","type":"page","link":"https:\/\/burakbulut.org\/tr\/bio-statement\/","title":{"rendered":"Biyografi & A\u00e7\u0131klama"},"content":{"rendered":"
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Sanat\u00e7\u0131<\/p>\n\n

Burak Bulut Y\u0131ld\u0131r\u0131m<\/h1>\n

Berlin\u2019de ya\u015f\u0131yor ve \u00e7al\u0131\u015f\u0131yor; \u0130stanbul\u2019da da aktif bir at\u00f6lyesi bulunuyor<\/p>\n\n<\/header>

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A\u00e7\u0131klama<\/h2>\n

Sanatsal prati\u011fim, bedenin art\u0131k sadece bir \u00f6zne olmaktan \u00e7\u0131k\u0131p bir ara\u00e7 haline geldi\u011fi noktada ba\u015flar. Yirmi y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcredir \u0131\u015f\u0131k, optik, zaman ve fiziksel malzemeler arac\u0131l\u0131\u011f\u0131yla \u00e7\u0131plak fig\u00fcrleri foto\u011frafl\u0131yorum. Foto\u011fraflar\u0131mda beden her zaman ba\u015fka bir \u015feye d\u00f6n\u00fc\u015fme s\u00fcrecindedir.<\/p>\n\n

\u00c7al\u0131\u015fmalar\u0131m, bir bedenin kendisini \u00e7evreleyen ortama kar\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131 ana defalarca geri d\u00f6n\u00fcyor. \u0130\u00e7inde Ni\u015f<\/em>, bir odada tek ba\u015f\u0131na b\u0131rak\u0131lan bir fig\u00fcr, odan\u0131n renkleri derisinin renklerine d\u00f6n\u00fc\u015fene kadar odan\u0131n k\u00f6\u015felerine k\u0131vr\u0131l\u0131r. \u0130\u00e7inde Ekoton<\/em>, beden, deri ile manzara aras\u0131ndaki s\u0131n\u0131r silinene kadar, otlat\u0131lan, \u00fczerinde y\u00fcr\u00fcnan ve i\u015flenen topraklarda, di\u011fer canl\u0131lar aras\u0131nda tek bir canl\u0131 olarak do\u011faya geri d\u00f6ner. Her \u015eey Uzaktayken Sadece Sen Yak\u0131ns\u0131n<\/em> pandemi d\u00f6neminde, su kenar\u0131nda \u00e7ekildi; o d\u00f6nemde di\u011fer insanlarla aradaki mesafe, modern ya\u015fam\u0131n kolayca unutturdu\u011fu do\u011faya olan yak\u0131nl\u0131\u011f\u0131 yeniden canland\u0131rm\u0131\u015ft\u0131. \u0130\u00e7inde Motus<\/em>, dans\u00e7\u0131lar ve hareket eden modeller, uzun pozlama s\u00fcresince bir hareket izi b\u0131rak\u0131rlar; ta ki hareket ve zaman mek\u00e2n\u0131n \u00f6zelliklerini kazanana ve beden kendi hareketinin izinde kaybolana kadar. \u0130\u00e7inde Lucida<\/em>, ultraviyole \u0131\u015f\u0131k alt\u0131nda floresan pigment, bedeni onu ayd\u0131nlatan \u0131\u015f\u0131\u011f\u0131n kayna\u011f\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. \u015eu durumda Antemortem<\/em>, beden kendi sonunun belirtilerine \u00e7ok yak\u0131nd\u0131r; bu belirtiler h\u00e2l\u00e2 mevcuttur ve \u015fimdiden yok olmaya ba\u015flam\u0131\u015ft\u0131r.<\/p>\n\n

V\u00fccut ayn\u0131 zamanda i\u00e7sel durumlar\u0131n g\u00f6r\u00fcn\u00fcr hale geldi\u011fi yerdir. Melankoli<\/em> melankoliyi, tek bir nedeni olmayan bir y\u00fck olarak yorumlar: i\u00e7e d\u00f6nm\u00fc\u015f, yava\u015flam\u0131\u015f bir beden, ad\u0131n\u0131 koyamad\u0131\u011f\u0131 bir \u015feye tutunmu\u015f, isteksizce ula\u015fan bir \u0131\u015f\u0131\u011f\u0131n alt\u0131nda. Crave<\/em> i\u015ftah ve zevke d\u00f6n\u00fc\u015f\u00fcr: s\u0131cakl\u0131k, dokunma, tat, duman ve bu\u011fulu camla keskinle\u015fen arzu ve kar\u015f\u0131l\u0131k veren bir bak\u0131\u015f. Ba\u015fka bir yerde<\/em> dar sokaklara, k\u00f6pr\u00fclere ve balkonlara, \u015fehrin sil\u00fcetinin \u00f6n\u00fcne \u00e7\u0131plak bir beden yerle\u015ftirir ve ba\u015fkalar\u0131yla payla\u015f\u0131lan bir mek\u00e2nda var olman\u0131n ne anlama geldi\u011fini sorgular. Bu eserde Chimera<\/em>, b\u00fck\u00fclm\u00fc\u015f ayna levhalar\u0131 g\u00f6r\u00fcnt\u00fcy\u00fc \u00e7o\u011falt\u0131r ve katlar; beden b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc korurken alg\u0131 par\u00e7alan\u0131r. \u0130\u00e7inde Dismorfi<\/em>, ayna modellerin kendi bak\u0131\u015flar\u0131na do\u011fru d\u00f6n\u00fcyor: modeller, \u00e7arp\u0131k yans\u0131malar\u0131yla ve hissettikleri beden ile g\u00f6rd\u00fckleri beden aras\u0131nda toplumsal bask\u0131n\u0131n yaratabilece\u011fi u\u00e7urumla y\u00fczle\u015fiyorlar. UnNude<\/em> Her \u015feyi siyah-beyaza, sert \u0131\u015f\u0131\u011fa ve \u00f6l\u00e7e\u011fe indirger; ta ki cilt bir \u00e7izgi, bir k\u0131vr\u0131m ise hacim olarak alg\u0131lanana kadar; ve \u201cbu kim?\u201d sorusu, \u201cbir y\u00fczey \u0131\u015f\u0131\u011f\u0131 nas\u0131l tutar?\u201d sorusuna yerini b\u0131rakana kadar.<\/p>\n\n

Ben esas olarak kamera i\u00e7inde \u00e7al\u0131\u015f\u0131yorum. G\u00f6r\u00fcnt\u00fcdeki bozulmalar Chimera<\/em> e\u011fri ayna levhalar\u0131ndan kaynaklan\u0131yor, bulan\u0131kl\u0131k Motus<\/em> uzun pozlama ve kamera hareketinden kaynaklanan, i\u00e7indeki par\u0131lt\u0131 Lucida<\/em> ultraviyole \u0131\u015f\u0131\u011fa tepki veren pigmentten. Hi\u00e7bir g\u00f6r\u00fcnt\u00fc yapay zeka ile olu\u015fturulmaz veya geni\u015fletilmez; Photoshop ve Lightroom\u2019u yaln\u0131zca ton kontrol\u00fc, temizleme, renk d\u00fczeltme ve bask\u0131 haz\u0131rl\u0131\u011f\u0131 i\u00e7in kullan\u0131r\u0131m. Bu se\u00e7imler, safl\u0131ktan \u00e7ok varl\u0131\u011f\u0131 \u00f6n plana \u00e7\u0131kar\u0131r. G\u00f6r\u00fcnt\u00fc, deklan\u015f\u00f6r a\u00e7\u0131kken, lensin \u00f6n\u00fcndeki ki\u015fi ile birlikte odada, sokakta veya arazide ger\u00e7ekle\u015fmelidir.<\/p>\n\n

Foto\u011fraf\u0131n\u0131 \u00e7ekti\u011fim ki\u015filer kat\u0131l\u0131mc\u0131lard\u0131r, asla hammadde de\u011fildir. Serilerimin bir\u00e7o\u011fu dans\u00e7\u0131lar, performans sanat\u00e7\u0131lar\u0131 ve v\u00fccut sanat\u00e7\u0131lar\u0131yla ger\u00e7ekle\u015ftirilmi\u015ftir. \u00d6rne\u011fin, Aceleyle<\/em>, balerinler \u0130stanbul\u2019da metroda, feribotlarda ve sokaklarda hi\u00e7 haber vermeden dans ettiler; ben de etraflar\u0131ndaki insanlar\u0131 foto\u011fraflad\u0131m: izlemek i\u00e7in duranlar\u0131 ve sanki hi\u00e7bir \u015fey olmam\u0131\u015f gibi yoluna devam edenleri. \u00c7\u00fcnk\u00fc Stills<\/em>, sanat y\u00f6netmeni Meryem Ayd\u0131n ile birlikte ger\u00e7ekle\u015ftirilen bu \u00e7al\u0131\u015fmada, be\u015f dans\u00e7\u0131 farkl\u0131 g\u00fcnlerde st\u00fcdyoya geldi ve birbirlerinin yan\u0131tlar\u0131n\u0131 hi\u00e7 g\u00f6rmeden, g\u00fcndelik nesnelerin yer ald\u0131\u011f\u0131 ayn\u0131 on \u00fc\u00e7 foto\u011frafa, her bir nesnenin kendilerinde uyand\u0131rd\u0131\u011f\u0131 ilk imgeyle yan\u0131t verdi. R\u0131za, her foto\u011fraf\u0131n temel ko\u015fulu. K\u00fcrat\u00f6rl\u00fck \u0130stanbul\u2019un \u00c7\u0131plaklar\u0131<\/em> Bu yakla\u015f\u0131m\u0131 kendi \u00e7al\u0131\u015fmalar\u0131m\u0131n \u00f6tesine ta\u015f\u0131d\u0131m: On d\u00f6rt foto\u011fraf\u00e7\u0131n\u0131n yan\u0131 s\u0131ra, \u00fc\u00e7 model de kitapta yazar olarak yer ald\u0131; zira foto\u011fraflanan ki\u015finin, bedeninin nas\u0131l alg\u0131land\u0131\u011f\u0131 konusunda s\u00f6z sahibi olmas\u0131 gerekir.<\/p>\n\n

Fig\u00fcr\u00fcn g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fcn ko\u015fullar\u0131n\u0131 kendisinin belirlemesine izin veriyorum. Bazen y\u00fcz ba\u015fka y\u00f6ne d\u00f6ner ya da bir siluete d\u00f6n\u00fc\u015f\u00fcr; bazen de, t\u0131pk\u0131 Crave<\/em>, g\u00f6r\u00fcnt\u00fc tam arkaya bak\u0131yor. Her iki durumda da beden, kadraj\u0131n i\u00e7indeki ki\u015fiye aittir. Bu eser, k\u0131\u015fk\u0131rtmadan ziyade dikkatten do\u011far: bedeni \u201cg\u00f6rmenin ba\u015flad\u0131\u011f\u0131 yer\u201d olarak ele alan ve foto\u011fraflanan ki\u015fiyi oldu\u011fu gibi b\u0131rakan, uzun s\u00fcreli bir bak\u0131\u015f.<\/p>\n\n<\/section>

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Biyografi<\/h2>\n

Burak Bulut Y\u0131ld\u0131r\u0131m (d. 1982, \u0130stanbul), Berlin\u2019de ya\u015fayan ve uluslararas\u0131 alanda faaliyet g\u00f6steren bir foto\u011fraf\u00e7\u0131, sanat\u00e7\u0131, k\u00fcrat\u00f6r ve e\u011fitimcidir. Foto\u011fraf\u00e7\u0131l\u0131k ana ifade bi\u00e7imi haline gelmeden \u00f6nce \u0130stanbul\u2019da sanat muhabiri olarak kariyerine ba\u015flayan Y\u0131ld\u0131r\u0131m, 2005 y\u0131l\u0131nda burada ilk st\u00fcdyosunu a\u00e7t\u0131. G\u00fczel sanatlar alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131, \u0131\u015f\u0131k, kamera i\u00e7i optik m\u00fcdahaleler, malzeme d\u00f6n\u00fc\u015f\u00fcm\u00fc ve mek\u00e2nsal kar\u015f\u0131la\u015fmalar yoluyla bedeni bir ara\u00e7 olarak inceler; bu \u00e7al\u0131\u015fmalar, samimi portreler, performatif foto\u011fraf\u00e7\u0131l\u0131k ve n\u00fc aras\u0131nda gidip gelir.<\/p>\n\n

Serileri aras\u0131nda \u015funlar yer almaktad\u0131r: UnNude<\/em>; Chimera<\/em>; Dismorfi<\/em>; Motus<\/em>; Aceleyle<\/em>; Stills<\/em>; Ekoton<\/em>; Her \u015eey Uzaktayken Sadece Sen Yak\u0131ns\u0131n<\/em>; Ba\u015fka bir yerde<\/em>; Ni\u015f<\/em>; Antemortem<\/em>; Melankoli<\/em>; Lucida<\/em>; ve Crave<\/em>. Bunlar\u0131n bir\u00e7o\u011fu birbiriyle yak\u0131ndan ili\u015fkilidir: Dismorfi<\/em> ...'ye Chimera<\/em>, Aceleyle<\/em> ve Stills<\/em> ...'ye Motus<\/em>ve Her \u015eey Uzaktayken Sadece Sen Yak\u0131ns\u0131n<\/em> ...'ye Ekoton<\/em>. Bu \u00e7al\u0131\u015fmalarda beden, manzara, mimari, \u0131\u015f\u0131k ve i\u00e7sel bir durum olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar; b\u00fck\u00fclm\u00fc\u015f aynalar, uzun pozlama, ultraviyole \u0131\u015f\u0131k ve pigment arac\u0131l\u0131\u011f\u0131yla kamera \u00f6n\u00fcnde \u015fekillendirilir. Baz\u0131 seriler, bedenin bir odaya, bir sahil \u015feridine ya da kendi hareketinin izine kar\u0131\u015f\u0131\u015f\u0131n\u0131 takip ederken; di\u011ferleri ise onda melankoli, arzu ya da bir sonun yakla\u015ft\u0131\u011f\u0131n\u0131 okur.<\/p>\n\n

Foto\u011fraflar\u0131 Avrupa \u00e7ap\u0131nda ki\u015fisel ve karma sergilerde g\u00f6sterildi. UnNude: Bedenin Mimarisi<\/em> Die Akt Galerie, Berlin'de (2025); Portreler<\/em>, Fogae Gallery, Z\u00fcrih (2025); K\u0131yafet Kurallar\u0131: Hafif<\/em>, Die Akt Galerie, Berlin (2024); Eros & Thanatos<\/em>, Uxval Gochez Galerisi, Barselona (2023); Hareket Halindeki Bedenler<\/em>, Loosen Sanat Galerisi, Roma (2019); Siyah I\u015f\u0131k<\/em> ve Aceleyle<\/em> Heilbronn\u2019daki Volksbank Galerisi ve Abraham-Gumbel-Saal\u2019da (2019); ve Aceleyle<\/em> Pinelo Sanat Galerisi, \u0130stanbul\u2019da (2014). 2025 y\u0131l\u0131nda eserlerini Londra\u2019daki The Other Art Fair\u2019de sergiledi. 2026 y\u0131l\u0131nda, Lucida<\/em> \u015fu esere dahil edildi: URBAN Sergileri: Foto\u011fraf G\u00fcnleri Turu<\/em>, Trieste Foto\u011fraf G\u00fcnleri kapsam\u0131nda, Trieste\u2019deki Mercato Coperto\u2019da.<\/p>\n\n

Kendi sanat \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra k\u00fcrat\u00f6rl\u00fck de yapmaktad\u0131r. K\u00fcrat\u00f6rl\u00fck projesi \u0130stanbul\u2019un \u00c7\u0131plaklar\u0131<\/em><\/a>, \u0130stanbul\u2019dan on d\u00f6rt foto\u011fraf\u00e7\u0131 ve \u00fc\u00e7 model-yazar\u0131 bir araya getiren sergi, Berlin\u2019deki Die Akt Galerie\u2019de (3\u201319 Temmuz 2026) a\u00e7\u0131ld\u0131 ve Barselona\u2019daki Uxval Gochez Gallery\u2019de (20 Kas\u0131m\u20134 Aral\u0131k 2026) devam ediyor. Sergiye, Berlin\u2019deki Mijuk Papers taraf\u0131ndan yay\u0131nlanan \u0130ngilizce ciltli bir foto\u011fraf kitab\u0131 (ISBN 978-3-00-087439-0) e\u015flik ediyor; bu kitap, Londra\u2019daki V&A\u2019n\u0131n Ulusal Sanat K\u00fct\u00fcphanesi, \u0130stanbul Modern K\u00fct\u00fcphanesi ve Alman Ulusal K\u00fct\u00fcphanesi\u2019nde yer almaktad\u0131r. Projeyle ilgili k\u0131sa bir belgesel, \u0130stanbul\u2019un \u00c7\u0131plaklar\u0131: Beden ve Oda<\/em>, Meryem Ayd\u0131n\u2019\u0131n y\u00f6netti\u011fi film, LOOP Barcelona 2026\u2019daki LOOP City Screen program\u0131na se\u00e7ildi ve 20 ile 21 Kas\u0131m tarihlerinde galeride g\u00f6sterime girecek. Onun daha \u00f6nceki k\u00fcrat\u00f6rl\u00fck projesi LandsNude<\/em><\/a> 2015'te Selanik'teki Artcore Gallery'de sergilenmi\u015ftir.<\/p>\n\n

Bir e\u011fitimci olarak, 5.000'den fazla foto\u011fraf\u00e7\u0131l\u0131k \u00f6\u011frencisine rehberlik etmi\u015ftir.<\/p>\n\n

\u00c7al\u0131\u015fmalar\u0131, Aedra Fine Arts ad\u0131na k\u00fcrat\u00f6r Michael Hanna taraf\u0131ndan incelenmi\u015f ve uluslararas\u0131 foto\u011fraf yay\u0131nlar\u0131nda yer alm\u0131\u015ft\u0131r. 2012 ve 2017 y\u0131llar\u0131nda Uluslararas\u0131 Foto\u011fraf \u00d6d\u00fclleri\u2019nde Onur \u00d6d\u00fcl\u00fc\u2019ne lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Dismorfi<\/em> 2024 Y\u0131ll\u0131k Foto\u011fraf \u00d6d\u00fclleri\u2019nde \u201cV\u00fccut ve \u00c7\u0131plaklar\u201d kategorisinde Onur \u00d6d\u00fcl\u00fc\u2019n\u00fc kazand\u0131. Se\u00e7ilen eserler \u00f6zel koleksiyonlarda yer almakta olup, 5 + 1 AP adetlik tirajda ar\u015fivsel pigment bask\u0131 olarak temin edilebilir.<\/p>\n\n

2018 y\u0131l\u0131ndan bu yana Sony Avrupa G\u00f6r\u00fcnt\u00fcleme El\u00e7isi olarak g\u00f6rev yapmaktad\u0131r. Bund Professioneller Portraitfotografen (BPP) ve Kraliyet Foto\u011fraf Derne\u011fi\u2019nin \u00fcyesidir ve IGBK\u2019n\u0131n (Uluslararas\u0131 G\u00fczel Sanatlar Derne\u011fi) Uluslararas\u0131 Sanat\u00e7\u0131 Kart\u0131 sahibidir.<\/p>\n\n<\/section>

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\u0130leti\u015fim<\/h2>\n

St\u00fcdyo, temsilcilik, bask\u0131 sat\u0131\u015flar\u0131 ve bask\u0131 serileri: studio@burakbulut.org<\/p>\n\n

Bas\u0131n ve kurumsal sorular: info@burakbulut.info<\/p>\n\n<\/section><\/article>

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\n \n

Biyografi & A\u00e7\u0131klama<\/h2>\n

Sanatsal pratik, uzun formlu ara\u015ft\u0131rma, biyografik not.<\/p>\n <\/a>\n\n \n

CV<\/h2>\n

Sergiler, k\u00fcrat\u00f6ryel projeler, \u00f6d\u00fcller, ba\u011flant\u0131lar.<\/p>\n <\/a>\n\n \n

Edisyonlar<\/h2>\n

S\u0131n\u0131rl\u0131 say\u0131da ar\u015fiv bask\u0131lar\u0131. Koleksiyoncu bilgileri.<\/p>\n <\/a>\n\n \n

Metinler & Bas\u0131n<\/h2>\n

Ele\u015ftirel metinler, incelemeler, r\u00f6portajlar, yay\u0131nlar.<\/p>\n <\/a>\n <\/section>\n\n

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\n St\u00fcdyo: studio@burakbulut.org\n \u00b7\n Bask\u0131lar: print@burakbulut.org\n <\/p>\n <\/section>\n<\/article><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2065","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages\/2065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/comments?post=2065"}],"version-history":[{"count":10,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages\/2065\/revisions"}],"predecessor-version":[{"id":2563,"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/pages\/2065\/revisions\/2563"}],"wp:attachment":[{"href":"https:\/\/burakbulut.org\/tr\/wp-json\/wp\/v2\/media?parent=2065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}