{"id":677,"date":"2020-05-19T05:08:24","date_gmt":"2020-05-19T05:08:24","guid":{"rendered":"https:\/\/burakbulut.org\/?page_id=677"},"modified":"2025-04-10T16:42:55","modified_gmt":"2025-04-10T14:42:55","slug":"%e5%bf%99%e4%b8%8d%e8%bf%ad","status":"publish","type":"page","link":"https:\/\/burakbulut.org\/zh\/in-haste\/","title":{"rendered":"\u5306\u5fd9\u4e2d"},"content":{"rendered":"

In Haste \/ Motus<\/h1><\/div>

.<\/span><\/p>\n

Exhibitions: 2014, Turkey\/Istanbul – 2019, Germany\/Heilbronn<\/p>\n

\n

Photographer Burak Bulut’s 4-year project, \u201cAyak\u00fcst\u00fc\u201d (loosely translated as \u201cIn Haste\u201d), tracks the bizarre encounters during the everyday life of Istanbul. The exhibition centers around the spontaneous appearances of ballerinas in various distinctive urban locations. The project creates an unexpected convergence between ballet\u2014a refined Western performing art traditionally confined to indoor venues\u2014and the raw, living texture of Istanbul\u2019s streets. This encounter intertwines concepts such as city and stage, urban and spectator, while challenging perceptions of location and time in the city.<\/p>\n

In this performance-photography series, ballerinas emerge as an awakening outcry within the fabric of Istanbul. However, the project’s focus is not on the ballerinas themselves, but rather on the expressions of Istanbul’s residents who witness these extraordinary moments. The mirror that is momentarily held up to the city finds its meaning in the astonishment, curiosity, and nonchalance that appear on people’s faces. With their elegance set against the backdrop of the metropolis’s ever-transforming historical places, the ballerinas create an intentional distance between the street and passersby, expressing a sense of alienation while reminding us of the variable and transient soul of Istanbul’s streets with all their rhythm, gestures, iconography, and sounds.<\/p>\n

As the ballerinas step from traditional stages into streets, subways, stations, shops, and alleys, they infiltrate the ordinary; what typically melts into the city’s relentless flow and becomes invisible gains visibility, if only for a fleeting moment.<\/p>\n<\/div>\n

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\u00a080 x 120 cm, 5+1 Editions, Archival Giclee Fine-Art Print
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<\/div>
\"A<\/div><\/a><\/div><\/div>
\"A<\/div><\/a><\/div><\/div>
\"Crowds<\/div><\/a><\/div><\/div>
\"A<\/div><\/a><\/div><\/div>
\"A<\/div><\/a><\/div><\/div>
\"A<\/div><\/a><\/div><\/div>
\"A<\/div><\/a><\/div><\/div>
\"A<\/div><\/a><\/div><\/div>
\"A<\/div><\/a><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>

All Projects \/ Exhibitions<\/strong><\/h3><\/h3><\/div>
<\/div><\/div><\/div><\/div>

UnNude<\/a><\/span><\/p><\/h4><\/div>

\"Silhouette<\/a><\/span><\/div>
\n

Not nude, but reimagined. In UnNude, flesh becomes form, and desire fades into geometry.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Niche<\/span><\/a><\/p><\/h4><\/div>

\"A<\/a><\/span><\/div>
\n

Niche is a space of tender withdrawal\u2014where silence echoes in fabric, corners, and breath.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Ecotone<\/a><\/span><\/p><\/h4><\/div>

\"Naked<\/a><\/span><\/div>
\n

Body becomes part of a living landscape\u2014blurring the lines between skin, soil, and sunlight.\u00a0<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Elsewhere<\/a><\/span><\/p><\/h4><\/div>

\"A<\/a><\/span><\/div>
\n

Elsewhere follows the body through city shadows\u2014unnoticed, unstilled, unreal.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Antemortem<\/a><\/span><\/p><\/h4><\/div>

\"A<\/a><\/span><\/div>
\n

A body caught between memory and erasure. Antemortem traces the soft residue of life before it slips into silence.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Crave<\/a><\/span><\/p><\/h4><\/div>

\"Silhouetted<\/a><\/span><\/div>
\n

Desire speaks in color. Crave paints the body with longing, each image trembling between heat and hunger.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Motus<\/a><\/span><\/p><\/h4><\/div>

\"A<\/a><\/span><\/div>
\n

Not frozen moments, but echoes in motion. Motus captures the body in flux\u2014between gesture, memory, and breath.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Lucida<\/a><\/span><\/p><\/h4><\/div>

\"Portrait<\/a><\/span><\/div>
\n

Under blacklight, the body becomes flare\u2014a glow, an echo, a mirage. Lucida seeks the threshold where form dissolves.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Chimera<\/a><\/span><\/p><\/h4><\/div>

\"Monochrome<\/a><\/span><\/div>
\n

Mirrored, fractured, reformed. Chimera turns the body into illusion, where flesh bends under the gaze.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

Melancholia<\/a><\/span><\/p><\/h4><\/div>

\"A<\/a><\/span><\/div>
\n

Melancholia doesn\u2019t shout\u2014it lingers. These images carry silence, like a breath held too long.<\/span><\/a><\/p>\n<\/blockquote>\n<\/div><\/div><\/div><\/div><\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"class_list":["post-677","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/burakbulut.org\/zh\/wp-json\/wp\/v2\/pages\/677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/burakbulut.org\/zh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/burakbulut.org\/zh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/burakbulut.org\/zh\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/burakbulut.org\/zh\/wp-json\/wp\/v2\/comments?post=677"}],"version-history":[{"count":0,"href":"https:\/\/burakbulut.org\/zh\/wp-json\/wp\/v2\/pages\/677\/revisions"}],"wp:attachment":[{"href":"https:\/\/burakbulut.org\/zh\/wp-json\/wp\/v2\/media?parent=677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}