Crave
The Anatomy of Longing
Desire, unfiltered. Crave documents bodily and emotional hunger—it doesn’t whisper; it pulses.
Crave is a series about want. Not romantic longing, not the soft-focus yearning of love stories, but something more immediate: the heat that rises in skin, the pull that begins before language. The photographs explore how desire acts upon the body before the mind can name it—how wanting is first a physical event, then an emotional one, and only later a thought.
The series operates across multiple registers of erotic tension. Some images reduce the body to its formal elements—surface, contour, the way light interacts with skin. The influence of Nobuyoshi Araki is present: the unflinching gaze, the body as both subject and object. But where Araki often dwells in provocation, Yıldırım seeks something closer to sculpture. Flesh becomes material; desire becomes form.
Other images stage desire as spectacle and confrontation. The erotic here is not passive but active—bodies that hold power, that challenge the viewer’s gaze. The camera does not simply observe; it participates in the charge between bodies, complicit in the tension it records.
Throughout the series, veils and barriers introduce a strategy of partial access. The look that cannot quite land, the touch deferred. Eroticism emerges not from full exposure but from interference—the space between visibility and obstruction where desire intensifies.
The private scenes in Crave pulse with both anticipation and aftermath—the moment before touch, the stillness after. Pleasure is present, but so is solitude. The series refuses to separate lust from loneliness; in Crave, they exist at the same temperature. These are bodies caught in the grip of wanting—sometimes another person, sometimes something that cannot be named.
The project is ongoing, and the archive continues to grow. Selected works are available as limited edition prints through Artsper, Saatchi Art, and Artmajeur.






























