Niche is a space of quiet withdrawal, where silence is felt in fabric, corners, and breath.

A woman leans into a curtain, wraps herself around a chair, or rests in the light between two rooms. The series pictures the tactile connection between the body and its surroundings—not as a performance, but as a quiet presence. It is the private theatre of everyday solitude.

Burak Bulut Yildirim frames intimate moments that appear unposed. A woman curls into the corner of a sofa; another stands veiled by morning light. Textures become prominent: the weight of drapery, the softness of bedsheets, the stillness of a corridor. The work brings to mind the quiet of Vermeer’s interiors, the vulnerability in Nan Goldin’s photographs, and the domestic settings of Chantal Akerman. The camera observes without intruding; its gaze is distant but gentle. Natural light and soft colors shape the mood of each scene.

This is not an exercise in nostalgia. Instead, the images trace how longing settles into corners and stillness imprints itself on the walls. Here, bodies are part of the room’s story. Some figures cling to table edges as if holding a thought; others seem to dissolve into the folds of bedding. Time is deliberately slowed. Niche reveals the interiors of both spaces and emotions. Each limited edition print is an artifact of this intimacy between a person and a place.

Burak’s most recent works convey portions of female body parts with extreme high contrast and in fusion with texture, however his works showing full female figures in interiors convey a sense of psychological and theatrical strategy towards understanding the relationship between figures and space.

Aedra Fineart – Michael Hanna. Full Article: https://www.aedrafinearts.com/single-post/burak-bulut-yildirim