Niche is a space of tender withdrawal—where silence echoes in fabric, corners, and breath.
A woman leans into a curtain, wraps herself around a chair, rests in the light between two rooms. Niche explores the tactile relationship between the body and interior space—not performative, but quietly present. It is the private theatre of everyday solitude.
Burak Bulut Yildirim choreographs intimate moments that appear unposed. A woman curls into the corner of a sofa; another stands barely veiled by morning light. Textures take center stage: the weight of fabric, the softness of bedsheets, the silence of corridors. This series echoes the stillness of Vermeer’s interiors, the fragility of Nan Goldin’s photography, and Chantal Akerman’s domestic spaces. The camera observes, not intrudes—its gaze is distant but tender. Natural light and pastel tones become emotional syntax.
Yet this is not nostalgia. It traces how longing settles into corners, and how stillness leaves its mark on the walls. Bodies become instruments of architectural storytelling. Some cling to table edges as if trying to grasp a thought; others dissolve into the time-soaked folds of bedding. Time is intentionally slowed here. Niche is a study in both physical and emotional interiors. For collectors, each limited edition print becomes an artifact of architectural intimacy.
All Projects / Exhibitions
The body becomes wild again. Otherlands lets the figure vanish into light, stone, and the myth of nature.
A body caught between memory and erasure. Antemortem traces the soft residue of life before it slips into silence.
Desire speaks in color. Crave paints the body with longing, each image trembling between heat and hunger.
Not frozen moments, but echoes in motion. Motus captures the body in flux—between gesture, memory, and breath.
Under blacklight, the body becomes flare—a glow, an echo, a mirage. Lucida seeks the threshold where form dissolves.
Melancholia doesn’t shout—it lingers. These images carry silence, like a breath held too long.